Month: February 2024

Caution Tape

Thinking about how things land where they do

Years ago, my friend MB was invited to a costume dance but had no idea what to wear. A few days before the event, he got inspiration from a construction zone in his Manhattan neighborhood. Late one night, he crept out onto the street and tore down a big length of “Caution” tape along the sidewalk, his heart beating like mad as he raced back into his building, terrified he would be caught (he had no idea where one bought Caution tape or he would have). The next day he went to a thrift store and found a short pink dress and a blonde wig. Before the dance, he put on the wig, applied lipstick with a trowel, arranged the Caution tape over his dress like a Miss America sash, and voila: Streetwalker Barbie!

I’d love to be that inspired by the detritus of Caution tape outside my apartment building over the past two weeks. The city is completing “emergency repairs” (the notice taped to door said) of the sewer along part of our building past the elementary school. The yellow tape and tall orange barrels prevent parking for now (who put it all there?), the street organized to prepare to dig up a city block to replace perhaps a dozen or more giant concrete barrel-tubes, whatever they are called (how did they get there?), taking up those parking spaces-in-waiting, and I had to wonder, “Emergency repair?” Yikes. But this work is meaningful work. Look at all that equipment, crew, the purpose: I understand the kind of impact this work has. Results you can see, work you can use.

There’s something magical about construction like this, isn’t there? Photo by LO’H, Queens.
Sometimes, it’s needed. Photo by LO’H, Queens.

This morning early, I emptied out the corner cabinet in my small apartment kitchen to disgorge it of plastic storage containers. Call it an emergency repair. I don’t know why I live like this, saving every single plastic container that once held takeout shrimp and broccoli from Ten Full around the corner, but I do. I stuff them in, harder and harder, until one late winter morning, usually during Lent, I can’t take it anymore and I go in for the big clean-up and reorganizing. I hate being this all-or-nothing-at-all person. I would like to be a flowingly tidy person, who effortlessly tidies as she goes.

I look at just the surfaces of my place and see 1) a financial packet (I really mean to make that phone call, so it’s on my desk in the living room); a notice from Con Ed (since I have to make sure I schedule the natural gas detector installation, this is taped to the back of my front door); 3) a request for a proxy vote from another financial institution that holds the keys to my retirement (and since I’m not sure what to do, it’s on the kitchen sideboard to think on). Do you place things like this? And why? And for how long? How do these locations gain meaning?

I don’t know about you, but I also tend to be a person who creates in bursts, writing or drawing or making collages daily, for a week or three. And then I seem to crash; my creativity may lie fallow for months at a time. This manic-depressive quality is what drew me to theater, I think, beginning back in middle school, because after you’d rehearsed a show every day for eight or ten weeks, performed it three or four times, and stayed after school the next week (or in college, all night after the final performance) to strike the set, you were done! (The appearance of the final ghost light, literally and figuratively, remains one of the most satisfying feelings I know.) You then spent the next month catching up on all the stuff you’d neglected, like housework, paperwork, grocery shopping, or, when aged 12, cleaning your room and finishing those two big school projects. And after all that, you could dream again.

What has to happen to make this repair an emergency repair? What makes that place the place to put something? What causes inspiration to strike just then?

O park of wondrous flowing green
And more than passing fair,
We wonder if you would mind if we
Walk barefoot through your hair.

~ by Lois Oberdin, a great friend of my mom’s when they were about 16; this poem created and recited in situ while crossing Bayliss Park, Council Bluffs, Iowa, ca. 1950.

I share that poem up there, by my mom’s friend Lois, because when all else fails or seems merely duty-bound and cold, poetry cares (as Naomi Shihab Nye says). Poets feel. Of the poem’s creation, my mom said of Lois, “She’d do things like that all the time.” Mom then told me that her friend, around the age of 18 or 19, was institutionalized for schizophrenia; my mom never saw her again. When I learned that (I was maybe twelve), I made it a point to memorize Lois’s impromptu poem, and I am glad I did, because this beautiful, unusual girl never had a chance to live a full, creative life or grow up to loathe a corporate job, or make her home and papers disorganized, or stare from her stoop at Caution tape along her street. It’s terrible to think about. But we have a poem, at least one poem, a creative act to recall, to celebrate Lois.

And when you stop to think about it—all of us, our habits, our anxieties, our personalities; all the messes in our houses, in our heads, under our streets— maybe everything and everyone should come equipped with a roll of Caution tape, you know? Just throw on a Caution sash as a warning of our own emergency repairs.

You’ve been warned. And yes, that is a Chia Pet on my shelf.

Always a work in progress,

Miss O’

Bowl Picks

Random talks with my dad, Bernie

Over Christmas I was sitting in the living room watching a bowl game with my dad, Bernie. All the O’Haras print out a sheet of the bowl game contenders, make our picks, and keep score. (Fun fact: I won this year—just picking schools I “liked.”) That evening, I don’t remember who was playing, but the winner had become obvious, so during the commercials, we’d flip the channel to see what was playing on TCM. Dad and I started watching the last part of I Remember Mama, where Irene Dunne’s brother is dying, and Barbara Bel Geddes writes her story, and Mama reveals her big secret, and I looked over and my dad is weeping, and I’m weeping, and then we see each other doing this.

I remember my mom (I tell my dad)—who had already gone up to bed this bowl evening—coming downstairs years ago to tell me, “Lisa, at eight o’clock on TCM, I Remember Mama is on. Now, watch it.” I had neglected to do it for years, sure that it would be super sentimental and make me cry, and I hate crying—or do I? Anyway, I watched it, I wept happy tears; and every time I watch it now, I start crying at the very beginning and weep, more or less all the way through. (The same is true of the 1939 Goodbye, Mr. Chips, which I watch any time I notice it’s on, crying right away.)

I tell my dad about this, as I say, as we dry our tears from I Remember Mama, all these movies that make me ball, how I still watch them knowing I’ll be crying all the way through them, and then Dad’s talking about movies like that for him too; and I look at him, because he and I have started crying just talking about these movies, and then we look at each other and we begin laughing so hard, I mean shoulder shaking, helpless laughter—the depth of emotion in us O’Haras is so huge, running the gamut from A to Q to Z and back to fast it makes your head hurt, but I gotta say, my heart is always lighter for these wild expressions of emotion, in a span of a few minutes at most.

And in that exchange up there you might better understand why my dad, Bernie, who is 90 now, is the parent I always had the deep talks with. Politics, religion, societal changes, boyfriends, school. I told you this story, how once we had a deep argument about homosexuality, which concept Bernie couldn’t get on board with or begin to understand, but I his college-age daughter felt compelled to push him on because being in the theater, I now had so many male friends who were gay. “What is your problem, Dad?” And he finally admitted, “I don’t like to picture those people having sex.”  “Okay Dad,” I replied, thrusting my arm to point across the street, “Bob and Hazel Hunnicutt, Dad, you want to picture them having sex?” He quickly made an ick face. “Ew, ew, my God no.” I looked at him, “Dad, how many people do you really want to picture having sex?” He thought about it and couldn’t think of any. And scene.

Years later, my friend Richard and his partner (now husband) John were finally having a child via surrogate (and got twins!)—I shared this news with my folks on a Sunday morning phone call, since they’d known and loved Richard since our college days. My dad couldn’t understand it. “I got on board with the gay marriage thing,” he said, my mom recalling the time then-Mayor Gavin Newsome made the case on the Today show and my parents had no arguments, “but why do they want to bring kids into it?” They want to be parents, I explained. My dad’s voice softened, “Oh, oh. I understand that.” And I said, flatly, “I don’t.” Beat. “You don’t?” he said. Nope, I never wanted to be a parent. I have no idea what that feels like, that desire, though I’ve seen it often enough in other people. Like my parents. And…scene.

I’ve written about my mom a lot in recent blogs, probably too much or too personally for public enjoyment, but it’s what I’ve needed to write; publishing helps me not lose my memories. And while I’ve never had perfect relationships with either parent, I can’t help thinking about the ways in which all of us relate to our parents, if we are lucky enough to know parents who love us, who sacrifice for us, who rear us. This is about my dad.

Miss O’ with dad, ca. 1975.

When I came home after my first year at Virginia Tech, I was sitting there in the living room, talking intently about all the learning I’d amassed in my three quarters of classes, 18 and 19 hours’ worth of courses each quarter, the shows I’d worked on in the theater department, my new friends. I don’t know what exact smart thing I’d said to trigger his move, but my dad got up and went into the kitchen. I followed him. I continued educating him as he pulled out a whole roasting chicken from the fridge and put it on the counter. “Clean it,” he said. I just stared at it. He looked hard at me, saying, “You still can’t clean a chicken, can you.” No sir, I can’t. That shut me up.

Miss O’s graduation from Virginia Tech, June 1986, made possible by Bernie’s union meat cutter job. Hardest working human I’ve ever known. And glad to do it.

And I know I told you that story, what Bernie told me after my first serious breakup, with the guy I thought I would marry. I’d been quiet, depressed for months. My dad asked me if I wanted to come to Springfield Mall with him to pick up my mom’s Christmas present. I did. We didn’t speak the whole ride. When he pulled into the parking space, as I took off my seatbelt, he said, sharply, “I know you’re upset. But a boy like that, he’ll always have a harem. You didn’t lose nothin’.” Over time, that observation saved my heart. When I recalled that story to my dad recently, my mom said, “Did he tell you that?” And I said yes, and my dad nodded, and my mom said, “That’s good,” because I know she had been charmed by the boy too—and now she realized, I think for the first time, that Dad was absolutely right. (Note: said boy went on to live with no fewer than a half dozen women, possibly more, and enter into dozens and dozens of relationships in between; many of these women I met, including his wife; and it might interest you to know that the boy recently divorced her after nearly 20 years of marriage and four children, whom he raised while she worked—funny how all the women he leaves (I broke it off with him, for the record, because I just knew this couldn’t end well) have the same common fault: they get “angry” with him, “throw things,” and he “will not be yelled at” (how many times did I hear that and shut up; and I will not be shut up). All these breakups in an endless loop, as he repeated his habit of luring in attractive, smart, industrious, dynamic, multitalented, independent-minded women and then, as his gift, moving them into a ready-made box to try to contain them, limit them, redirect them for his pleasure, and then becoming disappointed when they’d “rebel.” You didn’t lose nothin’. You said it, Bernie.)

Bernie O’Hara, aged 90. in his natural habitat. Photo by LO’H 2023.

Sending love to all of you who could use parental advice, maybe, via parents or surrogates, to have good cry, enjoy a shoulder-shaking laugh, or hear the truth.

Love,

Miss O’

Constantly Living Uncertainty

On the insistence of the body

I used to write funny. I have an old blog to prove it, at least those few entries that were genuinely hilarious to the six or eight friends who read them. I also used to be way more outer directed, blogging about national catastrophes, global issues, the fate of the planet. Somehow, I could hold both hilarity and tragedy in my head as I typed.

Then I entered my 50s, that magical decade of the many phases of, say, menopause; the panic of Covid; the (unending) transparent criminal absurdity of Trump; the near-precipitous decline and recovery of many aging parents; the unexpected death of a longtime lover; the sudden dissolution of old friendships. What happened?

My favorite hip pocket quote; art by LO’H for Lilly, who framed it. I think we all could use this quote as we age. Feel free to make a copy if you want.

The greatest shock of this decade was the new insistence of the body. Beyond my menopause was the frozen shoulder, the two-week suffering through the symptoms of the global pandemic, the recurring sciatica (or is it stenosis?), the sprained ankles, the appearance of polyps in the colon,…it just doesn’t end, and it never will, not now. This is life forever.

And who am I kidding? It’s always been life, for everyone, for all time. How in the name of holy vaccinations did I just now come to realize that our macro bodies are at perpetual war with the micro world?

How did it just now occur to me, in the last year of my 50th decade, given global wars and global warming, the murder of migrants and children, rampant diseases like AIDS, and, I mean really knowing about all that, how did I just now really realize in my body that we are constantly living in this crazy nebulous place of, what the fuck and when? It seems most everyone I know and love has lately revealed that they are living with a condition which could, probably, eventually kill them, if an errant bus doesn’t get them first. To take two examples, I have my mysterious brain thing (the symptom is the numb left eye, MRI March 14); and my theater friend HD exclaimed over lunch at the West Bank Café last Saturday, “So, my prostate cancer…did I tell you that? Oh! I have cancer!” And we had to laugh.

Constantly Living Uncertainty

Our introductions to disease
an ultrarare sarcoma
late diagnosis melanoma
two types of diabetes

Those many swords of Damocles:
pulmonary fibrosis
multiple sclerosis
life-threatening allergies;

Cancer histories, predisposed:
colon bladder prostate breast
esophageal and the rest
the diagnoses presupposed.

How is it, knowing all of this,
How is it nous continuons?
To meet each day with coffee cups
Face the downs to find the ups
Fix the leaking kitchen drain
Wash the car despite the rain?

Dorothy Parker I ain’t, but sometimes only playing at verse gets me through. Verse, and Ella and Louis; or trying my hand at collage again; helping dear friends through grief; enduring yet a fourth colonoscopy in 15 years; weeping past control over the whole fucking world—feeling as deeply as I can, pushing through it, to see what comes out the other side.

Latest sketchbook, this from the PS 1 MoMA gift shop; Gibson Girl stamp added by LO’H, courtesy Casey’s Rubber Stamp Shop, 11th Street, East Village, NYC

Here’s to uncertainty and unforeseeable change as our new normal, that was ever normal and never new. Will work on getting funny again. I so want to cheer you. In the meantime, don’t die.

Love,

Miss O’

In the meantime, there matzoh ball soup. Photo by Lisa DiPetto, Court Square Diner, Queens.

Spreading Salt

On snow, ways we remember, and my mom’s cooking

Making Lasagna

I was sitting here thinking of my mom, Lynne, a couple of years back, before she fell and started a slow downhill slide, which continues, tough old bird of 90 that she now is.

I think this was a year ago, we were out in the playroom, an addition to our small but sturdy house that was put on when I was in fourth grade. To access it you have to walk through the utility room from the little alcove by the kitchen. The kitchen ever was and remains comically small and impractical by HGTV standards. I watched my now 80-lb. mother determinedly making her famous lasagna in an oddly small Pyrex rectangular dish, with the intention of feeding a family of seven adults and a toddler. I don’t know if the bigger dish had broken or what; but she spent all morning at it before my brother Mike, his wife, and the newest grandchild, and our other out-of-state brother Pat arrived to visit from North Carolina and Florida for a weekend. Mom had sent my dad to the store for lasagna noodles, cheeses; they boiled and drained the noodles, cooked al dente; she painstakingly opened the various packages of cheeses, using a knife, so slowly; she had her signature tomato sauce on the stove to warm up from the freezer. The slowness of her movements just hurt to watch. I think I was the only on watching. See, no one asked for this lasagna, one of her handful of truly great dishes, but you could see she felt she should make it, perhaps for one last time, who knows, age being what it is, for her family. She didn’t look happy about it, but neither did she want my help.

When they all arrived, my mother was still putting the lasagna together. As I say, this seemed to go on for hours. She was missing the action, you know, the way mothers do, alone in kitchens. Finally, I went in and tried to get her to come out to the playroom to be with all of us, with the son and grandson and her other son, and me and Jeff, there to see her. At some point, she and my dad decided to put the lasagna in the oven, even though it was too early to eat, even for an early dinner.

The upshot is, it way overbaked, shriveled into a barely edible shadow of its former self; and it seemed to be a couple of layers lower than usual, as it was, as if she’d forgotten something. We ate it; I remember my mother’s face, her shoulders shrunk, all that work, the end without the joy and plumpness of abundance. And for some reason, just now, it came back to me, that moment, and I fell to weeping. Now I have to think about why.

Well Butters

I’ve written about this before, my invented term for people who cannot accept a story that you tell on your terms. They have to correct you. Sometimes they are correcting a story they were never part of in the first place, which is a trait my mom has. Sometimes they correct your memory of time in a certain geography, because they share that geography and don’t have the memory you do, or experience a place or event in a way different from you.

My mom, Lynne, for example, is a story corrector, a well-butter. I was telling her once about visiting a retired teacher-scientist friend who’d built a cabin in the woods on her family’s farm. Her kids were grown and gone, her husband ran the farm as usual, and she lived alone with her dog in the cabin, which she did for a year. She kept a journal, spent her days studying the ecosystem, reading Thoreau and Edward Abbey, doing experiments, and simply living. When I returned from my first visit, my mom wanted to know how she bathed. “Oh, she doesn’t. She might go for two weeks not washing at all,” and my mom admonished, “Well, but that’s a lie. Now, Lisa, don’t say things like that. Of course she bathes!” Mom left the room, a well-butter: “Well, but that’s a lie…,” and I turned to my brother Jeff: “No it’s not.” I know, he said.

Now, do I contradict my mother? No, I do not. I think about it, I reflect on it. I try to understand it. Because I’m insane, and a writer.

To take another example: if I say to a New Yorker friend, “I love New York! I love the energy, the art, the theater, the people watching,” that friend may quickly interrupt to say, “Well, but Lisa, the city is filthy, people are homeless, some can barely make rent, and who has money to see shows?” It’s Yes And. It’s both. This doesn’t have to be an argument.

And so, I do not argue with this well-butter. I say, “So where do you want to eat?”

Sometimes it’s just about differences in lived experience. The other day, I said to my friend Colleen, who has been a constant resident of two NYC boroughs since the late 1970s, that I missed snow, lost now to global warming. She looked puzzled, saying, “Well, but it’s not like New York was ever a snow city,” and I disagreed. “My whole memory of living here is that from December to April there’s snowpack,” I said, and Colleen looked at me like I had two heads. I didn’t argue, but instead asked, “Would you like some tea?”

The Snows of Memory

Now, why are our memories of snow in New York City so different, Colleen’s and mine? I’ve been reflecting, because I am insane, because I am a writer.

For one, I lived my first 39 years in Virginia, where there is maybe one big snow storm every few years, a little ice once in a while (I was a student and a teacher and lived for snow days in both iterations of my life, and we didn’t get to use that many), so that might account for some of the difference—that by comparison, any regularity of snow seems like “a lot.”

But I think another reason is more practical: Colleen has only ever rented her apartments, and so there is staff to shovel and salt (which is not to say reliably), and New York City is mad efficient at this in most places, especially Manhattan (it blew my mind when I first experienced it, how most everything still runs no matter what). By contrast, my tiny Queens co-op apartment building (since I bought in 2005) has never had a super who could be relied on to shovel snow, so (to avoid a citation) I and my upstairs neighbor Debbie used our own shovels and did it ourselves. As a board member, I ordered 12 bags of salt a year, for a solid 8 years, and we used nearly all of it every year, and I know this because I spread the salt myself. (By comparison, one or two bags of salt have held for the last three winters.)

In addition, I have muscle memory, walking the half mile to the subway every morning for 16 winters (before Covid), navigating the corner of 40th Street and 47th Avenue with great care because that building’s landlord never shoveled; and I constantly had my boots repaired at Drago Shoe Repair in Penn Station because of salt damage and puddle leaks. I felt every inch of the winters, and I also loved it, because I love winter. I am crazy about cold temperatures, battling the subzero winds, and I find snowfall a reason for rejoicing, at least when I’m not battling depression (always not wanting people to die). Colleen, by contrast, finds winter a misery, hates snow, hates cold, lives for summer heat; and I would suggest that a healthy mind like hers might slip into denial of weather you hate while you wait for the green splendors of summer. And because, in addition to all of the above, I can say with certainty that our last major snowstorm of any duration took place in 2016, and that was 8 years ago, I can also say with confidence that I am not crazy to say, I miss snow.

Back to Lasagna

So why was it so painful to remember my mom’s failed lasagna one winter ago? It’s one meal. No one else who was there may remember it at all, including the hunched shoulders, the strain of it, the sad face, all that work only to end up overcooked out of confusion, a change in routine. Like you, I’m sure, I’m starting to see her lasagna as a metaphor for a life lived, a life ending.

I have almost continuous memories of my mom making lasagna, or feel I do, because I loved it and enjoyed it so much—all the leftover noodles, the extra cheese I ate with them. But in truth, it was a dish she couldn’t have made above two or three times a year. For one, it was labor intensive, and there were four kids at home, she babysat neighbor kids, and by the time I was 15 she was back working full time (as a bookstore manager); next, it was expensive (with all her specific cheeses and special sauce—a secret), growing in size from a square Pyrex pan to a large rectangular one; and because we all loved it, there was almost none left over, and leftovers were always the Saturday night meal. So in actuality, in my 18 years under that roof, I had at most 40 large servings of lasagna. Is that enough? Never.

When I was home at Christmas, working from there for one week and on vacation for two, my mom spent a lot of time going through her recipe folder. She made her perfect macaroni and cheese for me—another agonizing effort, but she was determined. She showed me where all the important recipes were. (She also showed me where all the important sentimental things were in her dresser.) These things have to be done if we are to keep any family traditions going; I’m the only one who is interested, really, but that is only because I am the one preparing for the end. In time, my younger brothers will care, too. For now, I’m the keeper of the recipes.

No one’s memory is perfect—I’d never pretend it was. But there is a decline that is sad and scary to see: one more was my mom holding a worn, torn potholder she wouldn’t let me throw out, saying, “My mother made this.” I looked at my brother Jeff. Idiotically, I said, “No, Mom, she didn’t make that one; I have the ones she made at my house.” She stared at the generic blue potholder again. “No,” she insisted, “my mother made this.” And she gripped it so tight it brought tears to my eyes, but only later when I recalled it, because I realized, My mom needed to touch her mom again, even if she’s spent most of her life saying she hated her; they are so close to meeting again, you see; amends need to be made, memories held.

Still life with potholder and my grandma, ca. 1945. Photo by LO’H

What am I on about? Life ends in old age if we are lucky. See it for what it is. We remember what we need to remember, okay? And we can tell our own stories, thanks, and we don’t need anyone correcting us. Watch, listen. And just say, “Oh.”

Love,

Miss O’

Transformation Diaries, Winter in New York City

January 2024

§  My mom, Lynne, is 90 years old today. Last night I forced myself to get out of the house on a damp, raw New York City evening and head to the theater to see Purlie Victorious before it closes, showing up at the Box Office at 5:45 PM or so to see if they had “anything for tonight,” and I indeed got a center orchestra seat. Magic. This morning I am thinking about transformation: how actors transform into characters; how young people transform into old people; how oppressed Black people transform into autonomous Black people; how racist white people too often never transform. But more to the point, how my depressed soul transforms in the presence of great art. How does this happen? Why is undergoing as well as witnessing transformation so necessary to our humanity? And why do we resist transformation?

My mom, 2024 and 1952.
Perfection, the first Broadway revival of this play in 62 years.

§  Memories of transformation are often curious ones. When I was in 2nd grade, for example, Daphne O’Keefe brought in a Gallo wine jug melted over with rainbows of crayons. She was so proud of this show-and-tell object, explaining how she made it. She passed it round the class, and all I could think, confused, was, “What a waste of crayons.” Some transformations both small (see that wine jug) and large (see Tucker Carlson’s from “entitled Swanson Food trust-fund baby” turned “even richer Fox News personality” to “radicalized Russian-Putin ass kisser”) are lost on me. If transformations aren’t increasing your humanity or expanding your soul, what is the point? One woman’s wasted crayons may be another woman’s art (one man’s patriotism is another man’s treason?), and if the melting crayons make you happy, and you aren’t lying to yourself or hurting anyone in the process, melt way.

§  On my mind: Years ago, the now-famous comedian, podcaster, actor, and producer Tig Notaro was kind of doing okay as a mid-level comic, respected by her peers, booking enough gigs to make a living; one day she was diagnosed with Stage II breast cancer, and that evening she went on stage, “Hi, I have cancer…,” and her whole career changed. Soon after the diagnosis, her mother fell, hit her head, and died. Between a middling career, a double mastectomy, and burying her beloved mother, you’d think, “How did she keep going?” But it was the beginning of a transformational phase in Notaro’s life, one in which she became widely known and successful, met her wife, had a family, and is happier than she has ever been. Go know.

(Note: image found on the web..-ed.)

§  Scaffolding: It’s everywhere in New York City. You can’t walk a block or a street without walking under some at least once; I used to jokingly ask my friend, Richard, back when I visited the city, “When will it be done?” I return and return to this image of crumbling, but also of trying to repair—it takes such an absurdly long time; I want to walk around the city with a bull horn, “TRANSFORM ALREADY! BE DONE!” New York City’s Times Square was once glamorous and exciting, and then it became derelict and dirty, and then Disney moved in and transformed it into a theme park for tourists that makes me want to stab myself in the arm every time I walk through it, just to feel something more elevated than pissed off. Then I look around at the endless scaffolding in these high traffic areas, and “pissed off” is about all I will manage for a long time to come.

February, 2024

§  Since mid-January, my left eye has been arcing light, flashing, and also numb; in fact that quadrant of my head and face is sorta numb, too. I went to a neuro ophthalmologist today (after my regular ophthalmologist and primary care docs were stumped, and thank goodness a colleague had one, and that I talk about my life to other people who then often have suggestions, because appointments with specialists like that can take a year to get). This special eye-brain doctor (and I can’t believe how easily I spell “ophthalmologist” now) can determine for sure that your eye is in fact numb by sticking a sort of blunt pin in it and you not knowing she did that. She said, “I don’t like that.” She is, as promised by my colleague, a total doll, and has a very busy but well-run clinic; we scheduled the MRI (it’s in a month, the earliest appointment (which can take many months to get sometimes) and bloodwork, and follow up. “I don’t like that your eye is numb and that you have headaches,” she said, and then she looked into my face, “but we will solve it.” My life is either about to transform completely (my maternal grandmother died of a brain tumor at 60; I’m 60 in May), or just be inconvenienced. But it’s scary. I still haven’t told my family (older half-brother and sister caring for their mom with Alzheimer’s; my brother Jeff looking after 90-year-old parents; my brother Pat just lost his father-in-law), except for my youngest brother who also has eye issues, just in case I collapse or something so at least one person knows what’s going on. (I think six people read my blog, and none of them family.) My upstairs neighbor also knows, a few friends, and one colleague, so I’m covered. Will tell all.

§  Sunday in New York, with photos: Grand Bazaar Flea Market (art purchase), American Museum of Natural History, Washington Square Park (with birds), Washington Square Mews (my favorite spot in New York, maybe), past Cooper Union, with lunch at Little Poland while you wait for the Rubber Stamp Store to open on East 11th St, near St. Mark’s Church, where you talk to Jimmy the owner, who has made all his own stamps since he became interested in coins in Ireland some 70 years ago, followed by a return to Queens and a binge of cocktails at Belo with the Cordero brothers Spencer, bartender, and Jonathan, owner. And all this, all this connection, is why we are alive, right? Republican motherfuckers be damned: we are here to transform each other and ourselves in creative, joyful ways. What else is the fucking point?

I love meeting new artists. Akasa was a doll.
AMNH is always cool.
Quite a show by pigeons.
The Mews make me calm.
Casey’s Rubber Stamp Store, E. 11th Street, NYC
The possibilities.
Belo, a fabulous Brazilian-American restaurant in Sunnyside, Queens. (All photos by LO’H)

§  My Aunt Lorraine died on Valentine’s Day. She was 98, my dad’s oldest sister, the second oldest in a complicated family. Lorraine was my Grandma Fern’s daughter from her first marriage; Fern married Frank O’Hara, a widower with four sons, two daughters dead in infancy, and his wife dead in childbirth with the second daughter. (Fern and Frank only married because she was three months pregnant with what would be the first of five children, my Uncle Don.) When Lorraine died, various siblings and cousins speculated on the order of the kids, so I clarified: Chet, Lorraine, Bob (note: Chet and Bob were sent to an orphanage after their mom died; then returned when Fern (not that much older than Chet) became their stepmother), the twins Alfred and Alvin (who were adopted by Frank’s childless sister Emily and her husband Walter Smith), Don, Nadine, Bernie (my dad), Mary, and Francis, Jr. Of the ten children in all (not counting Grandpa’s baby girls), then, my dad is the last survivor. (For reference, they were all alive but Bob when Obama was elected president in 2008; I remember this because I called Uncle Chet on his birthday just after the election, and I told him I was happy about the outcome. “So that’s the way you went, huh?” he asked. I did. “Well, I did too,” he said. “Now I loved Hillary, loved her,” and he had even driven her around Omaha when she came to campaign. And I expressed my condolences about Uncle Bob. If anyone tries to tell you that American families should be “traditional,” you just point them to Frank and Fern in Council Bluffs, Iowa, ca. 1930. Oh, and Lorraine and Chet were best friends all his life (he died over ten years ago), and no relation to one another at all; my dad was a half-brother to each. Got that?) Families are living, breathing, ever-changing, and eventually dying, ecosystems, transforming all the time. Or they are if they are healthy, even if they sometimes put the “fun” in “dysfunction.”

Over the phone this past week, I asked my dad, who turned 90 last October, for his memories of Lorraine, and he told me what he remembered. “When I was little,” he said, “Lorraine used to take me to over to Broadway [in Council Bluffs], when we lived on Avenue E, at Christmastime, when Santa came down. He always threw candy, and she’d help me, we’d run around and gather up all the candy we could. I think about that memory a lot, I don’t know why.” Here he laughed. “And it’s funny, because Santa was in a pick-up truck or something, and he threw hard candy, really threw it, and you wonder how nobody got hurt.”

Another memory: “I told you that story, about the time Dad [my Grandpa O’Hara], he worked on the railroad, you know, and they had a wine car there that was leaking, and all the men were catching that wine and drinking it all day. Dad came home smashed, yelling that he was gonna do this, gonna do that. And Lorraine—she was working at the bomber plant at the time, and muscular—she laid him out on his back in nothin’ flat and said, ‘You aren’t doin’ nothin’,’ and we all just cracked up.” And Lorraine’s first child, Patty (one of ten, two deceased), and my dad’s first niece (or nephew for that matter—is their a general term for that?), just celebrated her 77th birthday; my dad was 13, and he remembers coming home from school one day and seeing Lorraine holding her in her arms.

My cousin Kerry (Don’s older daughter) and I (Bernie’s younger daughter), I think, are the only ones who know who everyone is and the order they come in, from aunts and uncles to cousins; maybe my cousin Liz (Mary’s oldest daughter) knows. Lorraine’s daughter, Rita (one of twins, children 6 & 7 in the lineup), who called last week to tell me that her mom was in hospice care, confessed that she had no idea who any of my siblings were. (“How do you know everyone?” she asked. Because every Christmas the relatives put school pictures, labeled on the back, in the cards; and I memorized them, because I thought I was supposed to.) Rita and I became friends the year I went out for our Aunt Mary’s funeral (2012, I think), and her twin sister Ruthie had coincidentally just moved to the street where my Uncle Denny, my mom’s cousin (with whom I was staying), lived (are you following?), so Rita started giving me rides after gatherings, dropping off first me and then Ruthie. (Ruthie, by the way, has moved back to Kansas City to be near her kids; I have a nephew living there, but since no one would know him because they don’t know my half-sister, Sherry, why mention it?) Sending love to all of Aunt Lorraine’s loved ones in our ever-transfiguring families.

FaceTime with Bernie

§  Surprised by snow. Brown desolation to cheering plush white happens less and less frequently here in New York, and what does fall melts right away, so I went on walkabout and took photos. I was surprised how many folks were out doing just that on that chilly Saturday. I love when spring makes you beg for it.

Miss O’ in Queens

§  Sunday morning, bright blue and sunny, but chilly as winter should be. Time to head to the city, I think, to City Papery and buy some blank card stock, maybe spend the rest of President’s Weekend making some original cards for people using those rubber stamps up there for inspiration. First, I’ll post this blog. Love, Miss O’

Miss O’s hallway, transformed each morning, when it’s sunny, by that shaft of light.
Color me grateful.