Spreading Salt

On snow, ways we remember, and my mom’s cooking

Making Lasagna

I was sitting here thinking of my mom, Lynne, a couple of years back, before she fell and started a slow downhill slide, which continues, tough old bird of 90 that she now is.

I think this was a year ago, we were out in the playroom, an addition to our small but sturdy house that was put on when I was in fourth grade. To access it you have to walk through the utility room from the little alcove by the kitchen. The kitchen ever was and remains comically small and impractical by HGTV standards. I watched my now 80-lb. mother determinedly making her famous lasagna in an oddly small Pyrex rectangular dish, with the intention of feeding a family of seven adults and a toddler. I don’t know if the bigger dish had broken or what; but she spent all morning at it before my brother Mike, his wife, and the newest grandchild, and our other out-of-state brother Pat arrived to visit from North Carolina and Florida for a weekend. Mom had sent my dad to the store for lasagna noodles, cheeses; they boiled and drained the noodles, cooked al dente; she painstakingly opened the various packages of cheeses, using a knife, so slowly; she had her signature tomato sauce on the stove to warm up from the freezer. The slowness of her movements just hurt to watch. I think I was the only on watching. See, no one asked for this lasagna, one of her handful of truly great dishes, but you could see she felt she should make it, perhaps for one last time, who knows, age being what it is, for her family. She didn’t look happy about it, but neither did she want my help.

When they all arrived, my mother was still putting the lasagna together. As I say, this seemed to go on for hours. She was missing the action, you know, the way mothers do, alone in kitchens. Finally, I went in and tried to get her to come out to the playroom to be with all of us, with the son and grandson and her other son, and me and Jeff, there to see her. At some point, she and my dad decided to put the lasagna in the oven, even though it was too early to eat, even for an early dinner.

The upshot is, it way overbaked, shriveled into a barely edible shadow of its former self; and it seemed to be a couple of layers lower than usual, as it was, as if she’d forgotten something. We ate it; I remember my mother’s face, her shoulders shrunk, all that work, the end without the joy and plumpness of abundance. And for some reason, just now, it came back to me, that moment, and I fell to weeping. Now I have to think about why.

Well Butters

I’ve written about this before, my invented term for people who cannot accept a story that you tell on your terms. They have to correct you. Sometimes they are correcting a story they were never part of in the first place, which is a trait my mom has. Sometimes they correct your memory of time in a certain geography, because they share that geography and don’t have the memory you do, or experience a place or event in a way different from you.

My mom, Lynne, for example, is a story corrector, a well-butter. I was telling her once about visiting a retired teacher-scientist friend who’d built a cabin in the woods on her family’s farm. Her kids were grown and gone, her husband ran the farm as usual, and she lived alone with her dog in the cabin, which she did for a year. She kept a journal, spent her days studying the ecosystem, reading Thoreau and Edward Abbey, doing experiments, and simply living. When I returned from my first visit, my mom wanted to know how she bathed. “Oh, she doesn’t. She might go for two weeks not washing at all,” and my mom admonished, “Well, but that’s a lie. Now, Lisa, don’t say things like that. Of course she bathes!” Mom left the room, a well-butter: “Well, but that’s a lie…,” and I turned to my brother Jeff: “No it’s not.” I know, he said.

Now, do I contradict my mother? No, I do not. I think about it, I reflect on it. I try to understand it. Because I’m insane, and a writer.

To take another example: if I say to a New Yorker friend, “I love New York! I love the energy, the art, the theater, the people watching,” that friend may quickly interrupt to say, “Well, but Lisa, the city is filthy, people are homeless, some can barely make rent, and who has money to see shows?” It’s Yes And. It’s both. This doesn’t have to be an argument.

And so, I do not argue with this well-butter. I say, “So where do you want to eat?”

Sometimes it’s just about differences in lived experience. The other day, I said to my friend Colleen, who has been a constant resident of two NYC boroughs since the late 1970s, that I missed snow, lost now to global warming. She looked puzzled, saying, “Well, but it’s not like New York was ever a snow city,” and I disagreed. “My whole memory of living here is that from December to April there’s snowpack,” I said, and Colleen looked at me like I had two heads. I didn’t argue, but instead asked, “Would you like some tea?”

The Snows of Memory

Now, why are our memories of snow in New York City so different, Colleen’s and mine? I’ve been reflecting, because I am insane, because I am a writer.

For one, I lived my first 39 years in Virginia, where there is maybe one big snow storm every few years, a little ice once in a while (I was a student and a teacher and lived for snow days in both iterations of my life, and we didn’t get to use that many), so that might account for some of the difference—that by comparison, any regularity of snow seems like “a lot.”

But I think another reason is more practical: Colleen has only ever rented her apartments, and so there is staff to shovel and salt (which is not to say reliably), and New York City is mad efficient at this in most places, especially Manhattan (it blew my mind when I first experienced it, how most everything still runs no matter what). By contrast, my tiny Queens co-op apartment building (since I bought in 2005) has never had a super who could be relied on to shovel snow, so (to avoid a citation) I and my upstairs neighbor Debbie used our own shovels and did it ourselves. As a board member, I ordered 12 bags of salt a year, for a solid 8 years, and we used nearly all of it every year, and I know this because I spread the salt myself. (By comparison, one or two bags of salt have held for the last three winters.)

In addition, I have muscle memory, walking the half mile to the subway every morning for 16 winters (before Covid), navigating the corner of 40th Street and 47th Avenue with great care because that building’s landlord never shoveled; and I constantly had my boots repaired at Drago Shoe Repair in Penn Station because of salt damage and puddle leaks. I felt every inch of the winters, and I also loved it, because I love winter. I am crazy about cold temperatures, battling the subzero winds, and I find snowfall a reason for rejoicing, at least when I’m not battling depression (always not wanting people to die). Colleen, by contrast, finds winter a misery, hates snow, hates cold, lives for summer heat; and I would suggest that a healthy mind like hers might slip into denial of weather you hate while you wait for the green splendors of summer. And because, in addition to all of the above, I can say with certainty that our last major snowstorm of any duration took place in 2016, and that was 8 years ago, I can also say with confidence that I am not crazy to say, I miss snow.

Back to Lasagna

So why was it so painful to remember my mom’s failed lasagna one winter ago? It’s one meal. No one else who was there may remember it at all, including the hunched shoulders, the strain of it, the sad face, all that work only to end up overcooked out of confusion, a change in routine. Like you, I’m sure, I’m starting to see her lasagna as a metaphor for a life lived, a life ending.

I have almost continuous memories of my mom making lasagna, or feel I do, because I loved it and enjoyed it so much—all the leftover noodles, the extra cheese I ate with them. But in truth, it was a dish she couldn’t have made above two or three times a year. For one, it was labor intensive, and there were four kids at home, she babysat neighbor kids, and by the time I was 15 she was back working full time (as a bookstore manager); next, it was expensive (with all her specific cheeses and special sauce—a secret), growing in size from a square Pyrex pan to a large rectangular one; and because we all loved it, there was almost none left over, and leftovers were always the Saturday night meal. So in actuality, in my 18 years under that roof, I had at most 40 large servings of lasagna. Is that enough? Never.

When I was home at Christmas, working from there for one week and on vacation for two, my mom spent a lot of time going through her recipe folder. She made her perfect macaroni and cheese for me—another agonizing effort, but she was determined. She showed me where all the important recipes were. (She also showed me where all the important sentimental things were in her dresser.) These things have to be done if we are to keep any family traditions going; I’m the only one who is interested, really, but that is only because I am the one preparing for the end. In time, my younger brothers will care, too. For now, I’m the keeper of the recipes.

No one’s memory is perfect—I’d never pretend it was. But there is a decline that is sad and scary to see: one more was my mom holding a worn, torn potholder she wouldn’t let me throw out, saying, “My mother made this.” I looked at my brother Jeff. Idiotically, I said, “No, Mom, she didn’t make that one; I have the ones she made at my house.” She stared at the generic blue potholder again. “No,” she insisted, “my mother made this.” And she gripped it so tight it brought tears to my eyes, but only later when I recalled it, because I realized, My mom needed to touch her mom again, even if she’s spent most of her life saying she hated her; they are so close to meeting again, you see; amends need to be made, memories held.

Still life with potholder and my grandma, ca. 1945. Photo by LO’H

What am I on about? Life ends in old age if we are lucky. See it for what it is. We remember what we need to remember, okay? And we can tell our own stories, thanks, and we don’t need anyone correcting us. Watch, listen. And just say, “Oh.”

Love,

Miss O’

Author: Miss O'

Miss O' is the pen and stage name of writer and performer and spinster Lisa O'Hara. Miss O' was an American high school English and drama teacher for 15 years, and she appreciates her freedom to leave it behind for a new life in Queens, NY. Her eBook, Easier to Live Here: Miss O' in New York City, is still available, after ten years, on Amazon Kindle and Barnes and Noble Nook. Her stage show, The Miss O' Show Teacher's Edition: Training Pants, will someday arrive in small works-in-progress venues to be announced, maybe; and in the meantime the work continues.

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