The Bouncing Balls of Eunuchs

Sex and the American Nazi

Ballsy. This is a product (one of a number of other such actual products in 2022 America) being hawked on television commercials for the shaving of men’s ball sacks. And the mechanism doesn’t leave a “ball smell.” Huh? “Save Your Sack from Summer.” (Whatever happened to, I don’t know, bathing?)

It’s not that I’m squeamish. A child of the 70s, I spent my youth being bombarded with ads for Massengill Disposable Douche (a useless product designed to dupe women into thinking they can simply rinse out semen to prevent pregnancy; as well as for men who fear the smell of menses) and Kotex (a very necessary product). But ads for Venus by Gillette, now showing women, quite graphically on television commercials, using a razor to shave their pubic hair (another purely cosmetic thing), is really troubling me. Oh, and Bush Balm. So I sat down to write to figure out why. 

Here it is: It’s 2022 and a 10-year-old rape victim in the Midwest cannot legally obtain an abortion since the overturning of Roe v. Wade. And child marriage is back on the table. Child labor, too. See also, the other extreme: The forcing of the aged back to work and the ending of retirement thanks to “Sen.” Rick Scott (R-FL).

The United States in 2022

Note to readers: It’s gonna get really ugly now.

Follow Middle Age Riot on Instagram and Twitter, if you want.

The end of Roe v. Wade is another “beginning of the end” situation in the U.S., sure. And the smoothest sacks and pubes in the world won’t change that. But that’s not totally what’s eating at me, not just the power over women and the hygiene distractors. There’s a larger, deeper sickness happening. The other week “Rep.” Matt Gaetz (R-FL) said that ugly women don’t have to worry about abortions. Hearing that brought up in me tears of rage—that level of open misogyny from a man accused of child rape who has yet to be indicted for it, though is wingman has taken a plea and gone to prison (and when called out on it the next day, he doubled down).

“Republican Rep. Matt Gaetz, who is under federal investigation for alleged sex trafficking of a 17-year-old girl, is under fire on social media after making fat-phobic and misogynist remarks about abortion rights activists to an audience of college students on Saturday, calling people protesting in support of abortion “disgusting.”

“’Have you watched these pro-abortion, pro-murder rallies?” the Florida congressman asked the teenagers gathered at the Turning Point USA Student Action Summit in Tampa, Florida.

“’The people are just disgusting. Why is it that the women with the least likelihood of getting pregnant are the ones most worried about having abortions? Nobody wants to impregnate you if you look like a thumb,” Gaetz commented.

“’These people are odious from the inside out. They’re like 5′ 2″, 350 pounds, and they’re like, “Give me my abortions or I’ll get up and march and protest.” And I’m thinking —march? You look like you got ankles weaker than the legal reasoning behind Roe v. Wade,’ he said to a cheering crowd.”

This is a U.S. Statesman of the Republican Party in 2022.
New motto: “Odious from the inside out.”

Speaking of insecure male U.S. Republican statesmen: Back in the spring, “Sen.” Josh “Runs with Fist” Hawley (R-MO) denounced child pornographers so vociferously and so weirdly out of context and proportion during the Judge Ketanji Brown hearings, that it caused Miss O’ to wonder when Anonymous will hack into Hawley’s home computer.

Runs with Fist
Shits with Bricks (seen on the internet)

Meanwhile, Ghislaine Maxwell, a convicted sex trafficker, is moved to a cushy minimum-security prison with yoga. Because otherwise I guess she releases the names of all those powerful white, male johns.

New Republican Motto: Men gotta be MEN, and real men can only get it up for trafficked young girls, ammirite?

And all of this hateful humping hubbub is from a bunch of schoolyard bullies who don’t feel “manly.” Who see everything as a threat to their “masculinity,” from balls that aren’t smooth and tan, to erections they can’t hold, to games they never understood and couldn’t play.  

But indoctrinating actual armies of white supremacists is not the actual problem.

And it only gets creepier every day.

Poke Her with the Soft Cushions

I awoke this morning remembering a summer day when my parents repurposed the feather-stuffed cushions on my mom’s fancy sofa—this light sort of champagne brocade-upholstered sleeper in the upstairs living room of our small split-level house with no real room for romping, so that room was sort of the place to do Play-Doh and draw on the walls (which we also had to help scrub), so naturally that fancy sofa from my mom’s days as a single naval officer got ruined in pretty short order; but rather than throw out the whole thing, my parents figured they could buy those zippered pillow cases made of striped ticking and stuff them (they went on to use these pillows for probably 20 years, by the way). I was a kid, maybe 9 or 10, when they laid out old sheets in the backyard, my dad split the cushions with a knife, and they tried to figure out how to transfer the feathers—millions of teeny tiny gray feathers—into the ticking. We kids chased the feathers that flew, but impressively most of them made it into stuffing, enough for four pillows, I think. 

I don’t recall my dad wondering aloud if this activity—or for that matter, diapering his babies, cooking family meals, or reading the paper—supported and even glorified his “masculinity.” I feel confident, too, that my dad, who worked six days a week, sometimes two jobs, and yet always made time to make popcorn and play with his kids, had no time for shaving his balls or worrying about their smell. He’d have to wonder about men who had that kind of time on their hands.

That feather pillow stuff was around the time my mom got into decoupage, making all kinds of projects, burning edges of paper prints, gluing and varnishing them onto prepared painted and antiqued wood plaques or stools. It was really nice. And I remember a lot of felt crafts for Halloween, too, and making Christmas ornaments (at school and at home). My dad, a meat cutter (there’s your masculinity, Tucker), got into making his own sausage (!) and used to bring casings home from work (he could buy them wholesale), and we’d do that once a month or so. 

So at age 10 I remember going to a lot of local carnivals, fort-building, making a treehouse; all us trying out being tough with toy cowboy guns and holsters; Malibu Barbie vans and building blocks, and Tonka trucks in the dirt, while my parents made food for cookouts in the backyard or a Prince William National Forest; neighbors coming over. Beer and soda. Good Humor Ice Cream treats.

I don’t remember getting raped, is what I’m saying. I don’t remember people getting shot all the time, and never entire classrooms full of children. Sex, rape, semi-automatic slayings—even when reported, none of this was remotely normalized for casual conversation among our elected leaders in the 1970s. I’m not saying bad things didn’t happen. I’m aware that my white parents worked hard to make the shift from working class to middle class in America and faced fewer obstacles doing it than their black and brown counterparts; and I’m also aware that plenty of my classmates grew up in trailer parks or in otherwise reduced circumstances. I was often shocked by white porcelains toilets the bowls of which were stained brown; layers of dust on the white oak floors, grease and grime on all the surfaces in the kitchen. And you heard about things, you know; you heard yelling, you had to wonder.

A girl relative of mine, who was white, was raped at the age of 9 back in the 1960s; being prepubescent, the perpetrator had to split her with a knife to enter her. She told her mom, “A man peed in me.” The police didn’t put much effort into looking for the man, who was most certainly a white school janitor, so no one was prosecuted; her family moved instead. Girls have never been valued much, unless their victimhood could serve as an excuse to lynch a Black man or shoot someone. (Men are so emotional, you know. Is that masculine? I think it’s shit.)

So I don’t want to sound absurdly naïve. When we look at the historical Republican Party (and forget Dixie-crats, who only went Democrat to veer away from Republican Lincoln), they totally and loudly advocated for the mass murder of Black children; the mass rape and murder of Black women; the mass lynching or incarceration of Black men to use as legalized slave labor.

See its present spokesman, Rep. Marjorie Taylor Greene (R-GA)

Lately, however, these same Republicans have upped the stakes. We now have an entire political party, on TV and in the newspapers in 2022, pushing for the normalization of child rape (er, marriage), child sex trafficking, child labor. I can’t recall an elected representative in my childhood defending child mass murder, but that’s the case now. It’s not as if I didn’t see violence on TV, but the violence was often righteous, however a news anchor framed it: Black people tired of being targets, being kept down or segregated into project housing, being kept out of power; hippies protesting the war in Viet Nam; workers striking for fair wages; women out in force demanding equal rights; gays demanding to be seen in Pride parades.

The work never stops.

But here was a turning point: I remember when the “anti-abortion movement” started, ca. 1977 or so, and young Catholic school friends went to march on Washington, girls all, girls who’d never even been kissed. They’d cry abstractedly about unborn babies, these girls who were barely of age to babysit. I found it baffling.

Found on the internet; sorry I can’t credit the meme genius.

And that “pro-life” movement, I’ve come to believe, moved the idea of sexualized children (and not the prosecuting of Catholic priests for the molesting of boys; because it’s never been about what they did to the girls, even though the kids I knew who were molested by their priests were girls, but girls don’t count, see), rape, incest, and the oppression of women front and center in the news, and began normalizing the fucking of children and girls and women of childbearing years as both something of prurient interest and something to punish through forced birth; while simultaneously othering the sex of consenting adults of whatever gender.

So. Sick. Of. Male. “Leadership.” So over it.

When I was 10 years old, I played with dolls, acted out my own versions of I Dream of Jeannie and The Brady Bunch; had a crush on David Cassidy; ran barefoot all summer jumping off swings; when my arms and legs got sticky it was from melting popsicles rather than a man’s semen. And I know this kind of growing up is still possible. About the best parents I know are two gay men who limit their kids’ access to television, social media, video games, and sitting around. Their kids play. I texted them to say hi and see what was up. The boy, in middle school, was devastated because his favorite frozen treat, Choco Taco, had been discontinued. (Meanwhile Greta Thunberg gave up her childhood to protest the inaction of governments to stem global heating.) If it were up to Republicans, this sweet kid wouldn’t exist at all.

Full Frontal with Samantha Bee was CANCELLED suddenly
by TBS under new management.
That’s the price of being a popular woman with a strong voice in America.
WOMEN: Start your own networks. OTHER WOMEN: Support them.

Why do Republicans want our women to have no autonomy? Our kids to have no childhoods? Our citizens no vote? Our people no freedom? Why do they want America to be a hellscape of mass murder and rape; floods and wildfires? Why do Republicans mock the very real problems and those who wish to solve them? I think they are diseased. They need help. But first, like any addicts, they need to admit they have a problem. We all know that men who have to pay for sex most likely aren’t any good at it; they know nothing of love, of intimacy, of seduction. They want to “take” a woman, rape a woman, and it makes them feel “powerful.” (Matt Gaetz, an alleged predator of teen girls, seeks children, doesn’t he, because they won’t know how bad he is at sex? Do all these Republican men have to use Nazism to rule because they are really bad at leading?)

Fascists pretend and propagate their inflated, insane idea of “masculinity” because they have no idea of the work it takes to be fully human. It’s not about masculine and feminine, guys. It’s about being a connected human being. It’s about leaving eighth grade, about growing up.

It’s at times like this that I want, at the age of 58, to be able to cross my arms out in front of me, flick my head, and blink all the toxicity away. Instead, I’ll be seeing you out on the streets and at the polls. Because that’s what adults should be doing, when they aren’t, you know, too busy shaving their balls and pubes for the sex they aren’t having. 

From Instagram.

Objects Found and Lost

It’s Hot Up Here

Miss O’s childhood sidewalk, summers ca. 1960s to ’70s (skates, bike, and bare feet not pictured)

New York City, like most of the planet, has been enveloped in a heat wave for the past couple of weeks. Until around 4:30 this morning, at 82 degrees and 68% humidity, I’d managed to avoid turning on my air conditioning (I know this sounds pompous, but fuck it: I figure it’s the least I can do for the earth). But yesterday, walking to and from the farmer’s market, I heard or saw a half dozen ambulances, and not counting Covid or other catastrophes the only other times you experience that here are during heat waves—heat stroke victims who live on the eighth floor, say, and can’t afford to own or run an air conditioner (55%-70% of our incomes are spent on rent here). Friday evening I was pulling garbage to put out for my co-op apartment complex (only 17 units, could be worse with a super on vacation), and even with help and being fully hydrated I had to stop to get more water, rest, breathe. And I had to wear a mask for the smell, and latex gloves (that became filled with sweat), so that didn’t help. The air quality is bad, too. Oil, engines, machines. I awoke in wee hours today, as I say, hearing my 88-year-old mother’s words on the phone yesterday, “Don’t die,” and broke my vow. Sure, I’ll live another day in the mid to upper 90s, but to what end?

In the trash room, Miss O’ fights with the bad recycling.

Calm My Ass

Scrolling through the ol’ Instagram at 5 AM as I drank ice water and waited for the cool air to kick in, I came across an ad for a popular meditation app. There are three signs, it flashed up in meaningful words, that I might be “emotionally detached”:

  1. Neglecting your needs or depriving yourself of pleasures
    [Warning: lack of parallelism coming up. -ed.]
  2. You are numbing yourself with social media, food, or alcohol
  3. You feel inadequate and alone

So…Tuesday? Because isn’t this everyone on the planet who is guided by love, at this point? (Note: All kinds of five-star ratings and quotations came up, too, encouraging me to “face my fears” and “become a new person”…by, what, shutting off?) I mean, did you watch the eighth Jan. 6 hearing? I think Rep. Elaine Luria (D-VA) summed up the week’s news well with this tweet:

Take a lesson, people.

This app ad got me realizing that in fact I don’t want to be peaceful. Far from it. I want a fire in my belly. I want to feel engaged, alert, excited. I’m tired of feeling tired, sick, inert. This world is on fire. I want to make the dogs bark.

Angela Sidney, Life Lived Like a Story, 1990, p. 156
University of Nebraska Press, 1990. These women are true warriors.

The Voice

Question from a friend and blog reader: “All your blogs have a very specific rhythm and pattern. Is that intentional?”

Answer: Yes. [Shakes head.] (Also, No. [Nods.])

I also responded, “I’m not sure it’s pleasing. I play with moments.” 

I think a voice one “hears” in a letter or blog (which for me is a kind of letter) is as particular as a speaking voice. I think there is an expectation with writing that writers will mix it up a little. Certainly, in my speaking voice, I can become a little bit Southern (from my Virginia background), or a little Midwestern (my folks), or randomly Cockney (natural mimic), depending on my mood and who I’m with. But really, Lisa O’ has one speaking voice. And over time, I’ve developed one writing voice, and I find it only varies when I am writing, say, dialogue for characters. I think it’s okay. (I knew a wonderful professor, Andrea Lunsford, at Bread Loaf who introduced herself at seminars by saying, “As my granny used to say, ‘Andrea, you have a loud but by no means pleasing voice.'”) I mean, you always know it’s a Keith Haring work, or a Georgia O’Keeffe painting, no signature required. And I don’t think you have to be that level of genius to have your own style and say many things within it.

A few years ago, a friend’s son (and he’s my friend, too) and his boyfriend at the time visited my home in Queens. He later told me that I had a very specific aesthetic. When I asked what it was, he paused and thought (we were standing in the Brooklyn Museum, looking at the Judy Chicago installation “The Dinner Party”) and he said, “Dimly lit whimsy.” He smiled. 

I think that describes me, my life, my talents, and my writing, too.

Dimly Lit Whimsy

I play with moments. My home aesthetic is born of arranging found and received objects, such as cards and gifts and rocks and pins and books, into vignettes. I play with moments, dimly lit. (I’m not sure I illuminate anything.) Each item in my place came to me at one moment or another, and I assemble and reassemble these moments on my shelves like a story, as I do in my mind, or in a blog post. If I make any “art,” this is about it. I’m not sure there’s any there, there, to paraphrase Gertrude Stein. I wish I were capable of greater depth, of making real art, for example, but I’m limited to the appreciation of, and at best the arranging/displaying of, the art that others make. (Flashing Sign #3, in red, “inadequate and alone”; very few people see it.) 

Miss O’ at home, with foot.

Whenever I look at pictures of Georgia O’Keeffe’s home in Abiquiu, New Mexico, however, I find myself dreaming that I was that person, content with one lovely stone, a clean old bone, a simple wood slab of a table, white walls, bright natural light, maybe two wooden chairs, a desk, a sculpture, one painting.

From Architectural Digest

The way I live, in reality, couldn’t be more the opposite of that. I’m not entirely sure why. Something about a need to feel cozy, to not lose a single memory.

More dimly lit whimsy, with original art from all over, arranged just so.

When I started blogging several years ago, on Blogger, I made it my weekly task to hold in my mind all the disparate things that caught my whimsy and use the writing task to arrange a sort of pastiche/synthesis (since the post-modern world is essentially collage) to see if I could find the connective tissue (sorry—mixed media, mixed metaphors) to somehow point to solutions for the troubles of the world. It all came down to education. Everything does. Not merely knowing a lot or being smart, but rather making connections among the things we learn to try to do something with it, to use it, to put in service to something. 

I’m not sure that I accomplish anything, and yet I persist, as I’ve noted before. I had a high school friend who always introduced himself with his IQ, 185, and when I reconnected with him decades later, he was still doing that, as if stuck on a tape loop. (Am I stuck on a tape loop? See also, “feeling alone and inadequate.”) Where do we find the inspiration to grow and change?

Speaking of tape loops, I often return to this little gem. Sir Peter Brook died 7/2/22 at age 97.
(For best results, substitute “Life” for “Theatre.”)

Dimly lit whimsy: More and more I find myself writing in the dark.  Less and less to say. Amidst so much chaos, so much violence, so many opinions, causing, ironically, so much isolation, where to? And like me, I suspect we all desire not so much “quiet” inside ourselves as stability in our outer lives.

From Instagram.

I believe this is important. Without stability in our most basic living, it’s hard to become outer directed. And if we don’t create a stable center and combine with a contained fire of purpose, the nihilists win.

Seen on the web. People are funny.

In the meantime, as that fucking app reminds us, we eat, we drink. Possibly we read. We watch the January 6 hearings. We vote. Stream a show to binge watch. But there has to be more inside us. And it wants to come out.

So here’s a call to action, to us good, caring folks who need to get off our asses and do what needs to be done, somehow. Right after this heat wave passes.

Lawn chair in O’Yard, ca. 1970s. Doodle by Miss O’, who reminds you
to conserve energy and stay hydrated. For all of us.

We Don’t Go to the Movies

Miss O’s bathroom reminder not to be late. For whatever.

Pass the Data

The other day I heard a learned philosopher discoursing on self-knowledge. While we used to engage in self-exploration through meditation, sports, or art, for example, Yuval Noah Harrari asks what it means, then, “when this process is outsourced to a Big Data algorithm?” That line stopped me hard. Where Eliot’s J. Alfred Prufrock measured out his life in coffee spoons, how many of us measure out our lives, our wellness, and our worth in “likes”? in “steps”? in money earned, spent, and saved? in mileage on the bike? in states or countries visited? in our biometric numbers for sugar, cholesterol, weight, percentage of body fat, calories consumed, points earned? lays sought and found on a sex app? books read? shows seen? tweets twatted? MAKE IT STOP.

One way I measure out my mental health and self-worth is through the laughs I generate in others, and judging from that last few years of meager blog posts, posts on social media, and reactions the few times I’ve seen others in person, I am in rough shape. I don’t think this post bodes well for wit, and for that, one of my three or four readers, I apologize.

The most important measure of my mental health for me is my capacity to weep at beautiful songs, singers, poetry, movie moments, pictures, and other acts of human decency. I was just listening to the Barbara Streisand/Judy Garland duet “Happy Days/Get Happy” and found myself in tears. So, check. (I hadn’t thought about the ways in which I might bring others to tears, but I think that happens out of my capacity to irritate more than, you know, move someone by making something beautiful.

You Laughed at an Image

My first boyfriend*, from back in high school, got back in touch recently. He has been with his wife, a fellow artist, happily for 32 years. When they eloped after living together for almost a decade, I mailed them a toaster. They totally got it. He began reaching out to old friends, he said, in the wake of Covid, and on the cusp of age 60 next year. I told him that I myself have actually paid for a ticket to my 40th high school reunion. I am going with two buddies of mine since second grade; my old bf’s was last year, and he said, “MAGA vibe, super spreader event; pass.” Probably true here too, but friend Carl promises it’s really a reunion of friends from elementary and middle school, and it will be fun. Okay.

The best part of the reconnect has been the ART share, in multiple texts; the meme share; the political jokes. According to the data, I laugh and heart a lot, so that must be good. My inner life, I mean. Should I dig deeper?

*Note: I never had any boyfriends. Sure, I went out with two guys in high school, and steadily, and talked about marriage with another guy, but I was ABOVE BOYFRIENDS. And still am. Why? Dunno. Let me ask an algorithm. “You laughed at an image.” I guess I’m fine.

Weekly Report: Your screen time was down 11% last week.

Weekly Report: Your sense of self-worth was down 25% last week and continues to plummet.

Weekly Report: 99.9% of Republicans blame all girls under age 11 who are pregnant for being too hot to resist.

Weekly Report: Humans are fucking up the planet and are fucking fucked but only about 25% of Americans fucking believe it’s fucking true, and YOU are one of them. 

Weekly Report: 100% of meals in America contain tough nuts.

Anything else to REPORT? I mean, there it IS.

Work It Out for Yourself

My Queens basement flooded again yesterday afternoon. Only one inch of rain in an hour. What the hell? Last September my last chance for a vacation for the foreseeable future (and what would have been my first in three years) was swamped over by drain overflow in the wake of Hurricane Ida. My last real vacations were in 2018 in California, Lake George, and here in NYC when friends came for a week to visit. The year 2019 was WORK, the year 2020 was WORK + Covid; 2021 same. But Labor Day week friends and I were going to make a break for Lake George again…and Ida. Since then, my parents, while still sharp and okay, have grown frailer. I spent 5 weeks there this spring to help my dad after a surgery, and help my 85-lb mother, too. Lucky to be able to do it—the sad residual benefit of the pandemic is that we have this new way of working, remotely. And wow does it make me feel remote—from others, from myself. A lot of us are at the point of wondering why we work at all—so many of our jobs are just humans trying to plug the holes and reduce the problems inflicted on humans by the humans who are doing the jobs in other companies and institutions and there is no bottom. Why aren’t we just growing food, singing a little, dancing, and cooking again? What happened? Boredom?

And don’t get me started on the rat infestation at my co-op building, or the super going on vacation and the back-up falling through and me being the only person not afraid of the rats, so this gray-haired fat lady will be sweeping up (including the dead rats) and hauling garbage out for the next two weeks. And temps in the 90’s. This is how I will die. And so what, really?

The opening phrase of the first poem of my friend Jean LeBlanc’s latest collection of poetry, our pitiful metaphors, is, “Work it out for yourself:” and the first time I read it I just about threw the book across the room. I was so tired, you see. I don’t want to be challenged or taunted or berated. I don’t want to work it out for myself. Just tell me my horoscope, give me the meds, the diet plan, the answer. Why is this hard?

“we inflict upon the cosmos our pitiful metaphors.”

I reread the collection this morning, after putting all the flood-soaked towels in the laundromat washer, which sounds like a pretty easy task, until you factor in moving all the shit in the basement mudroom to get the heavy duty cart out, lining it will a big plastic bag, filling it in four trips from bathroom shower to trash alley carrying the drenched textiles, heaving the laden cart up the stairs, locking the gate (dragging it over swollen concrete—is nothing just a thing?—and pushing it all to the facility; followed by returned the cart to the basement, etc. It’s laden with sadness, this poetry collection; arguments, missed connections, and loss. I find myself wrestling with all the terrible beauty. I contrast it with our friend Anna’s collection, Buoyant, about the joys of scuba diving, the poems’ speakers filled with wonder; and our friend Katrinka Moore’s latest collection, Diminuendo, which returns again and again to the sensation of floating, hovering, and the feeling of being connected tenuously by the thinnest of strands. 

“When at last the great animal arrives/ out of the primordial past, mouth wide” (“Grace”)
“but I make my way out. when/ I can. The fetch of space” (“Thin Places”)

There are moments these past few years when I’ve felt held together by only the thinnest of strands; known that I am forever and always having to work it out for myself; and also given a reprieve with moments of wonder, as this week with the first color images from the Webb Space Telescope.

I made the mistake of texting my despair post-flood yesterday to a friend who said, “Fuck, Lisa. Get help. Call 988.” I remembered the first time I went to therapy years ago, my therapist Goldye said, in response to my skepticism about going to a therapist when I have friends: “Our friends don’t care about our pain. They will say whatever it takes to make you okay so we can all go to the movies.” 

Walking in Midtown Manhattan. Look up.

And this is why you walk your neighborhoods, write stuff, draw a little, and don’t share your pain with anyone, not even friends; why we have to turn to the poets, the artists, the musicians in our darkest hours. People have their own shit to deal with, and they don’t need yours. It’s a lonely truth in a lonely world.

Sending love and poetry, somehow. Bless those poets.

Miss O’s desk. Queens.

Word Clouds

A commercial for an orange tube-y snack food shows a hip hop artist waving his fingers across bricks in an urban landscape and a colorful mural appears; he passes a child playing plastic buckets and the boy is now sitting at a red and chrome full drum kit. The plain glass buildings all begin shimmering in color. 

Because in America, at least, you can’t enjoy anything, not even a junk food treat, unless you are changing the world. And it’s not enough to have a tasty bite. You have to gorge on a whole fucking bloomin’ onion, loaded nachos, and whipped cream on the dessert, with a table filled with family or friends, or why did you bother to go out? 

And it’s not enough to enjoy the 4th of July with a sparkler; you need to listen to the incessant sounds of explosions all over Queens and watch the aftermath of a mass shooting of 30 spectators watching a parade in a small town in Illinois.

Art by Rebecca Morgan, as seen on Instagram

And I don’t know about you, but this kind of “go big or go home” bullshit is starting to give Miss O’ more than hives.

What’s the Meaning of All This?

Back in 1964, philosopher Marshall McLuhan famously said: 

“The medium is the message. This is merely to say that the personal and social consequences of any medium – that is, of any extension of ourselves – result from the new scale that is introduced into our affairs by each extension of ourselves, or by any new technology.”

Fifty-eight years ago, McLuhan also said, “Ours is a brand-new world of all-at-onceness.” Director Mike Nichols, in an interview in the 1990s, talks about how much McLuhan got right, though McLuhan seemed to be dropped from our consciousness. (I say “to be dropped” because we live in a disposable culture.) People used to receive information at different times, Nichols noted, and in different forms—newspapers, letters, magazines, telegraph, newsreels. News used to reach people weeks or months, or years, after an event occurred. The Emancipation Proclamation, signed in 1863, did not reach enslaved people in Texas until June 19, 1865, and deliberately so—the goal being to keep this from them for as long as possible so the farmers could get another harvest out of the enslaved for free.

With TV, we all saw the Kennedy assassination aftermath play out immediately, for example. Nichols, speaking of the challenges of directing new scripts, pointed out that because exciting real events—from assassinations to the moon landing to wars—come to us in real time, fiction just can’t measure up. And so now instead of deep, simple human stories to sell tickets, we reach for Superheroes and Armageddon for entertainment.

Nothing seems to be enough to sate us. The news media and its audience now hear of mass shootings and barely register an “oh, god,” just before the yawn; you see that it’s getting increasingly harder to satisfy our sensory desires. Overloading on porn and all its vulgar unrealism is why all those Incels (involuntary celibates) can get no pleasure from sex with women. The medium is the message: sex isn’t about intimacy, but rather gratification and power.

“We shape our tools, and then our tools shape us.”

~ Marshall McLuhan

Understanding Media: The Extensions of Man 1964

Miss O’ Wonders

Query: What message are Americans told, by one another, is the message of America?

Response: Freedom.

Query: If your culture’s primary tools (or mediums) are guns, unmediated information highways, evangelical Christianity, and self-proclaimed “influencers,” what is the actual message?

Miss O’s Current Response: The message is that one ideology pushed by a lone individual’s power to kill or influence others is the single most valued aspect of the culture.

It’s a question of lenses.

A philosophy professor of mine once taught about hedonism. He said people misunderstand it, thinking a hedonist is someone who debauches and can’t get enough of pleasure. In fact, Prof. Smith said, “A hedonist is supposed to get an orgasm from bread and water.” Hedonists in fact set up a philosophy with forced, unsustainable expectations for actual humans. Bread and water will never be orgasmic, however nourishing, unless you are first dying of starvation and thirst. 

From Instagram

In its latest attempt at a national philosophy, America has set up a forced, unsustainable set of messages for Americans through the medium of video, meaning we all see and hear these messages. 

  • First, we are supposed to place the needs and desires of the individual above society, unless that individual is Black/brown, poor, and/or a woman. 
  • Next, we must yield to the power of guns and ones who wield them over any individual’s freedom to speak, assemble, worship, or report news, unless that person is a white male with shit tons of money. 

If the medium is an unmediated Medium, is the message that we are living in Babel?

I often spend whole mornings just deleting email junk so I can free up my email storage for more junk.

If the medium is an unstoppable garbage bin of random communications, is the message that there will be respite from the noise of humans and technology?

I have seen tweets of mine go mini-viral and had panic attacks.

I have tweeted, blogged, or posted on my wall things that I find vitally important and not one person agrees with me in even the form of a like.

I begin to value myself based on the mediums.

Which medium are we going to amplify? Which message will sound off and win in the end? Is there an end?

Is there anything duller and less surprising, however continually shocking, than American politics? Republicans can only stay on brand by grabbing power and rejecting anything democratic; the Democrats can only stay on brand by rejecting revolutionary progress and staying steady. 

If the medium is the message, what is the proper medium for politics? What is the MESSAGE of our political life?

I keep getting stuck on these questions. “Stalemate” comes to mind. “Bartleby the Scrivener,” too.

Because a stable democracy is dull copy for our hundreds of 24-hour cycle “news” outlets, whether on a cable network, local television, or a newspaper, the Big Stories I see are almost never to do with public good so much as public titillation for ratings or sales. (And now this commercial message.)

The collective message is what exactly? Consume mass quantities and die already?

I awoke this morning, the Fourth of July, 2022, as I have every morning for months, in a pit of despair. Between the climate crisis-induced collapse of an Italian glacier and the invasion of Ukraine, along with the naked Republican attempt at every level of government over the past three years to end our constitutional democracy—and a press that does little more than pass the popcorn—it’s hard to write anything, create anything, feel there’s any point. And as I stood in my hallway after the coffee, half naked, holding a bra, vacillating between putting on real clothes to leave my apartment so as not to listen to the lone skateboarder on the asphalt playground who decided to practice his tricks right next to my little abutting porch (knowing that will also be in for an endless night of illegal fireworks); and falling into a ball of lonely weeping, as I do rather a lot these days; I mercifully remembered I have friends. I texted everyone I love and care about that piece of art by Rebecca Morgan, up there, because they all would instantly get it, and they did. And they answered.

My friends Carl and Mark, buddies of mine since 2nd grade wrote back too. Both of them are gay. Carl lives in our home town; Mark lives in Delaware with this husband. In response to our group, Carl said, “Not feeling celebratory. Low key chill here. Cleaning and organizing.” Mark said, “America doesn’t deserve a birthday celebration this year 😤.” I said, “I’m writing a blog.” Carl said, “Excellent.  I hope you include my disappointment.” Mark sent his love, calling us, “MY FAMILY.” And that just broke me up. You know? That sudden burst or wave of love. And if I hadn’t broken the grip of depression, pushed past the despair by becoming outer directed, I suppose I would have started drinking wine at 10:30 AM and not really looked back.

And wine is a lousy medium for any message. Here are some better ones:

  1. Honeysuckle
Photos by Miss O’
  • Postcards to SCOTUS
Miss O’ uses up some postcards.

Most of our important commentary anymore comes through in the medium of satire, including comics, cartoons, and Comedy Central’s The Daily Show and TBS’s Full Frontal. The medium is the message: We treat our existential truths like jokes. The “breaking news” of the NYT is often the equivalent of “What happens to Jolly Ranchers when they stay all day in a hot car?” The medium—the paper of record—is the message, and that message is “accentuate the trivial and don’t mess with existential truth in between.”

Like millions in the world, I write what’s on my mind and post these ideas for free for all to see. I have no mediators. No one, not a partner or friend and certainly not a paid editor, is around to read behind me, suggest where I might improve, strengthen, or refocus. Nor does any publisher or advertiser pay me for my thoughts. 

And it’s still only one voice trying to mediate all the other voices and create a message that is coherent and true.

I still don’t know how to do it. Nevertheless I persist.

Miss O’ Makes a Word Cloud