Tag: history

Bucking the System: Revisiting an older post for newly horrific times

Two men were lynched, or at any rate found hanging from trees, in Mississippi yesterday, but given different treatment by the police and media. I became so sick when I read about Trey Reed, that sweet face, I physically cried out, convulsed, as the weight of the report erupted in me. I’ve seen several posts on it, and nothing on national news. The police quickly determined that a Black man lynched from a tree branch involved “no foul play,” as only cracker ass police right out of In the Heat of the Night can.

Today on Substack, Rashid spoke for me.

Here’s another hanging death, this of a white man, given very different treatment.

I also read that President Trump is forcing the removal of all photographic evidence of the torture of the enslaved to be removed from America’s museums, due its violent content. Again, I felt deeply sick. In 2016 for Black History Month, in light of candidate Trump’s transparent racism, I wrote a piece on WordPress, and repeat it here, slightly edited:

In honor of Black History Month, one of my former students posted a social media essay on “buck breaking.” I had never heard of that. Here is research I found, oral histories of former slaves recorded at the time of the WPA in 1937. The pieces require real concentration, as the chronicler honored the dialect of each speaker, but the stories are horrifying and make for utterly necessary reading.

On Slaveholders’ Sexual Abuse of Slaves Selections from 19th- & 20th-century Slave Narratives

AMERICA: As Miss O’ used to point out to the white students who would ask (and ask and ask and ask) why 1) blacks just don’t “get over it”; and 2) why we don’t have a WHITE History Month—I could only point out that we had 350 years of slavery, and (today) only 50 years of civil rights; the Voting Rights Act and the Civil Rights Act were passed in MY lifetime. But I didn’t know the half of it: THIS is the history of slavery that needs to be taught in every high school.

For your further edification, in case you missed it in your history classes, I am including photos and engravings I found on Google Images which further show the history of abuses chronicled at the time of slavery.

  1. This was the photo which appeared in a newspaper to galvanize the Abolitionist Movement in this country:
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Prior to the publication of this story, most Americans at the time of the Civil War had no notion of the cruelties. These weren’t even the beginning of them–the accounts of sodomy (a white slave owner in front of his male slave’s family, to “break” his spirit) and rape, to say nothing of a white master standing over an unwilling “buck” and female slave to “breed” them. How does one recover from 7 or 8 or 9 GENERATIONS of this treatment in this country? HOW?

Scouraged-Back-Engraving-on-Paper-Harpers-Weekly-1863

2. Slaveowners “broke” “bucks” in any number of ways—torturing strong black men into “complying” with the “system”.

buck-breaking

Did that look familiar? It should. Here is Eric Garner:

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3. And white slave owners forced other slaves to do the breaking for them:

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A (now ex) friend of Miss O’s maintains to this day: “Lisa, slaves were lucky. How would they give up that way of life? They were nothing, and we took care of them.” And Miss O’ throws up a little in her mouth. Too many Southern whites (and other whites) feel this way—they dehumanize blacks and know nothing of the true history of slavery. Even in colleges and universities–particularly Southern ones–professors preach the old story of “states’ rights”, stating that the real cause of the Civil War was about state autonomy, though the South surely couldn’t have cared less about the North’s rights to house free men and women who made it North.

4. The above reasoning for the war’s cause is, frankly, BULLSHIT. The war was about slavery—the human rights abuses and the economic stranglehold the South held because of “free labor,” in the form of slaves. I hope that American schools today are teaching this, or will change if they have not already—to teach the truth of this horrifying practice of slavery as it really was, and then to acknowledge the PTSD suffered for generations. The police forces need this education, as do our politicians. ALL of us need this education, as ugly as it is—and at its ugliest.

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Black History Month—and if for even a fleeting second you thought, “Why isn’t there a WHITE History Month, you need to read this piece more than anyone else. And also the ones I’m linking to below.)

Here’s a current piece that reflects the legacy of slavery, for as you ought to know, 42% of Black men are incarcerated, many for life. Read and contemplate, from The Guardian:

Albert Woodfox released from jail after 43 years in solitary confinement

From the article:

“Woodfox, who was kept in solitary following the 1972 murder of a prison guard for which he has always professed his innocence, marked his 69th birthday on Friday by being released from West Feliciana parish detention center. It was a bittersweet birthday present: the prisoner finally escaped a form of captivity that has widely been denounced as torture, and that has deprived him of all meaningful human contact for more than four decades.”

It’s worth noting:

“His murder conviction was twice overturned – once in 1992 on grounds that he had received ineffective defense representation, and again in 2008 because of racial discrimination in setting up the grand jury that indicted him. Last year, Louisiana announced it would put him through a third trial despite the fact that all the key witnesses to the killing have since died. Woodfox’s lawyers argued the lack of witnesses would render such a retrial a legal mockery.”

That’s right: TWICE overturned. Because white-owned and operated prisons don’t give two shits about justice, fairness, or following the law when it comes to Blacks. They don’t traditionally see Blacks as people. I say that with love, though Whites make it really hard.

So if you are a White person reading this, and especially if you count yourself among the White people who have been outraged by the very existence of #blacklivesmatter; or are incensed that Black people are upset about the murders of other black people at the hands of cops, just because they wouldn’t “comply”; or who agree that the police should never indicted (unless the cop is Asian) for such murders; and who cannot understand why Black people don’t get that Trayvon Martin was killed rightly for being male, black, young, and wearing a hoodie; and who think that Tamir Rice deserved to get shot dead for playing in a park with a BB gun, without warning, and in an open-carry state; and who found yourselves baffled or “turned off” by the brilliant Kendrick Lamar’s shattering performance at the Grammys–read every single thing I shared in this little post.

And then:

Watch Kendrick Lamar Own the Grammys With a Stellar Performance Honoring Trayvon Martin

Again. And again. And again. Until you are sobbing like the ignorant White person you have been all these years.

AND CHANGE THIS.

Miss O’s friend Sylvia saw a sign on a college campus: “Yes, all lives matter – so if your black brother feels his doesn’t, help him carry his sign.” This is your Miss O’ saying, “Make an effort.” For America.

Here’s to Black History Month.

Do i lose my job now for quoting Kirk’s political violence?

P.S.

With all this in mind, the contributions of Black artists to American and world culture are all the more extraordinary. For Black History Month, I would also like to honor poet Nikki Giovanni. Back in the summer 1987, just after my extra year at Virginia Tech for student teaching and education classes, and before becoming a teacher, I was recruited to do a couple of stand-up comedy routines to introduce sessions at a national Women’s Symposium held on the campus. Ms. Giovanni was the featured poet. I didn’t care much for poetry—maybe because I was limited, but I rarely understood a poem without help—but I decided to go. I sat in front of Nikki Giovanni, who directed her poems to three people, mainly: all the black woman poems were delivered to a young black woman behind me; the black man poems to a young black man to my right; and all the creative/lonely woman poems were directed to me, my eyes. She read “Cotton Candy on a Rainy Day” to my face, and she opened something in me–she opened all poetry for me. And that fall (I think it was), she began teaching at Virginia Tech, and is still there today. (Her poem in honor of the massacre, delivered to a stadium, helped heal the campus.) Thank you, Nikki Giovanni.

Pattern Cutting

Reflections on art and life in the age of American Surveillance

Today, in the wake of all the grave threats facing anyone opposed to the Trump administration—citizen or noncitizen, federal worker or civilian, famous or ordinary, —even normal people just traveling, like the just-released woman from British Columbia traveling to the US from Mexico detained in a cement cell with thirty women, fed on cold rice for the past two weeks, no regular access to a toilet, with no due process (one woman in her cell has been there for 10 months with no hope of leaving, no one to help her); or like the British tourist who was arrested while backpacking in Seattle, detained and still not charged (both women white, English-speaking, without criminal records)—in the wake of all this, as I say, a friend of mine asked me if I was going to continue to write my letters on Substack and WordPress.

Yes.

As Trump invokes the Enemy Aliens Act and carries out the wet dream of White Christian Nationalists that is Project 2025, no one is safe. Do or do not, be important or not, be famous or not, be humble or not, be a child or an adult, a Democrat or a Republican, pardoned or not, Trump friend or foe, literally no one is safe from all this. (Did you see Sophie’s Choice? How many times do you have to read the fucking “First They Came” poem?) The sadistic joys of kidnapping, detention, torture, and, no doubt, eventual killing are endorsed by fully 37% of American citizens. They are willing participants and apparently glorying in the promise of the end of the democratic republic. They whine when they are personally affected, sure, but as one Nebraska rancher I heard on Instagram said—and she is losing everything and voted for Trump—she’d do it all again. You cannot fix this level of stupid, you cannot fix sadists. All you can do is outnumber them, out kind them, out organize them. Outlove them. And die trying.

It’s the absurdity of it all I cannot fathom. In a recent episode of this season’s Finding Your Roots, Henry Louis Gates, Jr., reveals to actress Debra Messing the truth about the fate of her Jewish-Polish ancestors in Krakow. One such relative, a pattern cutter in a garment shop, was among those killed in the Holocaust. In a moment of what scholar and philosopher Hannah Arendt called “the banality of evil,” conscripted Nazi soldiers carried out orders and exterminated simple working people in Poland and elsewhere, people they didn’t know, for no particular reason other than they were told to. Ordinary working people.

A pattern cutter. In a little garment shop. In Krakow. And his wife, and his sister. Messing had no idea.

Tom Stoppard, in his Broadway play Leopoldstadt explored his own discovery of Eastern European uncles and aunts and cousins who were murdered in the Holocaust. The play, which I was lucky enough to see—it was stunning—was performed over two and half hours without intermission. Why no break? Because the audience would have walked out, baffled by banality, after Act I. The family, ca. late 1800s, was so…ordinary. Middle class, an affair maybe, a little business trouble; a simple holiday blending Christian and Jewish traditions, having dinner. That was the whole point. When the play shifts to 1955 in Act II, they are all dead. A relative is reckoning with this horror and the audience is, too.

It’s just insane.

No one could have been less important than a Romanian boy of 15, Elie Wiesel, and his family, as described in the memoir Night. The inhumanity and terror of the Holocaust has been so well-documented by survivors like Wiesel and others, like Primo Levi, that you cannot honestly believe we are reliving those exact times. And in the United States of America, too many of whose citizens died fighting Nazis, it’s unthinkable.

Yet here we are.

At 59E59 Theater in Manhattan before the election, I saw Mrs. Stern Wanders the Prussian State Library. (The promo material gives away the play’s surprise, that Mrs. Stern is Hannah Arendt, which is I guess because they didn’t trust the audience to know who she was.) The play gave me all the awful prescience that we were about to face the same interrogations Arendt endured; yet by gaining the empathy (there’s that evil word for which Elon Musk and his army of Christian white supremacists will have us all murdered) of her Nazi interrogator, Arendt was aided in an escape over the border. She famously went on to report on the Nuremberg Trials and warn us about how regimes like Trump’s form. Her books should have been text books in American high schools.

Screenshot

Last summer (I wrote about this somewhere already), I was lucky enough to see the play Here There Are Blueberries, a true story, wherein researchers at the National Holocaust Museum found themselves gifted, quite problematically, with a photo album of Nazi officers and their secretaries having the time of their lives at Auschwitz. Not an inmate in sight. The photo in the promo material is of a group eating blueberries, in a spot that was not far from the ever-burning crematorium, all smiles, not a conscience among them.

From Here There Are Blueberries by Moises Kaufman and Amanda Gronich, 2024, New York Theater Workshop, NYC

A few years back, I saw the final preview of a Taylor Mac comedy, Gary: A Sequel to Titus Andronicus, in which a Roman slave, played by Nathan Lane, begs his two fellow slaves to stop preparing all the dead for burial. Let them rot—how else will all these Romans quit having wars? If we keep doing the dirty work, if we don’t unionize and end this complicity, how will it ever stop?

The two women keep embalming. (I think our audience was the first one to get it, and maybe the first night the play fully came together, because you could see the cast was stunned at our screaming standing ovation; the critics panned it, having seen the play before it was ready to be seen. And wow is it timely now.)

I think also of a fabulous Broadway revival of a play in verse called La Bête, in which Mark Rylance played a charming, verbose rube who talks the king in a 17th century court into making him the new court playwright, and David Hyde Pierce played the snobbish playwright who is unseated. In the final moments of this hilarious and frenetic farce, the audience realizes that in fact Pierce’s character is right, and Rylance’s character is in fact a deceptive, cunning, dangerous beast who will bring down the order with his appointment.

And my god, here we are.

It’s through the theater that I process life, even prepare for life. The way some people look to scripture I look to playwrights, to the artists always, as guides on what was, what may be, what to do, how to behave, what to dare in our increasingly dark times, surrounded by confusion and cowards, facing unending threats and evils everywhere we look.

And these monsters are just getting started.

UNLESS. Unless. Unless. Unless.

It’s a big ask. But we can’t give up.

Love,

Miss O’

Quick Take, for Whites during Black History Month

A Condensed History of Whiteness in America

Hi, kids. If you are a friend of mine, I am not telling you something that you don’t already know; and I’ve written about this before. But a few years ago, my late super, who was from Eastern Europe under communism and who had never learned American history—not unlike contemporary whites in red states today—asked me, “Lisa, can you tell me please what it is about the Blacks?” I didn’t follow. “Why all the whites hate them. What did they do?”

Do you hear his question? Here’s a man who at that point had lived two decades in the United States, himself an immigrant working around every conceivable type of immigrant, from tenants to other supers to management, in the most diverse area of the world, my borough of Queens in New York City. He heard and saw all the racism, surely from the white men (because I still hear it now through their support of Trump), but he really didn’t know where it was coming from. “I have these Jamaican guys who do the electrical work for the building, there, and they are great. They smoke the marijuana, the smell, my god, I hate it, but they are great.”

And so it was that Miss O’ did a brief history for him.

Black Africans were brought to the United States in chains beginning in 1619, if not earlier, men, women, and children captured by white European men or purchased as prisoners in their own land where there was no concept of enslavement for life let alone forever in perpetuity along with your families, which is what whites did in the United States. To justify this horrific practice, and to justify unlimited greed, whites started deciding that they were superior to all other colors of humans. They must be, because as the Puritan descendants of the Second Great Awakening said of being among the elect going to heaven (as explained to me by my 11th grade high school English teacher Chuck Edwards), “Surely, if you were not among the elect, surely God would not have blessed you with a Cadillac.” Or made you white.

The plantation system in the American South made each plantation owner a little king, a greedy little tyrant (just like the “farmer king,” King George III from whom we were emancipated, oh, irony), who kept all the money he made from his crops and made even more by working slave labor just about to death—no hope of leaving, no money, no say—morning, noon, and night, and forcing the strongest Black men to “breed” Black women as a bull would cows, when the tyrant wasn’t raping those same Black women for his pleasure and a stable of more (mulatto) slaves.

Meanwhile, the white people in the South who did not own land, and that was nearly all of them, had no work. They looked on, impoverished, as these Blacks were “given” houses and food in exchange for work, work which poor whites did not have, homes which poor white were not given (clearly not comprehending the horror). There was a growing (and understandable) resentment. To quell this, white tyrants told their legions of poor whites, “Always know that at least you are superior because you are not having to labor like these beasts.” To appease them, the tyrants dropped a nickel and handed a gun to any poor white man who was pissed off and said, “Guard my slaves.”

And so it was that for 400 years, poor, uneducated, angry whites came to believe that they themselves would have more if only those Blacks weren’t here, and that guns were identity. And they weren’t wrong, though their logic was. What these charming, charismatic white tyrants were able to convince these poor whites of was that he, the landowning rich tyrant, had no choice but to use “free labor” so that he could be rich and live like a king, that God had blessed him, and he had to fulfill this promise to God by being the richest one.

And despite a Civil War, despite education and marches and all of the hard work of generations of Blacks, Native Americans, and enlightened, moral whites (immigrants all), there are still vast swathes of white Americans who truly believe that IF ONLY there were no Blacks (and now browns, too), they themselves would have it so good.

The Donald Trumps of the world—the ones who deny wages, safe working conditions, clean air and water, and health care to anyone not them—have been such absolute geniuses at convincing poor white people to feel so sorry for them that these poor white people empty their pockets and do whatever it takes to prove their love to the rich white man God. And the poor white people still blame Blacks for their fate.

I learned about this book from the Toni Morrison documentary, The Pieces I Am. Recommended reading.

Following my quick take on the horrors of the Black experience and white supremacy, my building super from Eastern Europe was silent. He looked at me and said, “Why they don’t kill all of you?”

That’s the million-dollar question.

I’m about to make a couple of broad generalizations.

Black culture in America is a culture of love and faith. It’s a culture rooted in ebullience, joy, dance, music, energy, justice, hope, and deep, deep love despite deep trauma and great suffering. I have seen it and felt it all my life. Not that there aren’t assholes and tyrants; I’m talking about roots.

White culture in America, dating back to Puritans and colonizers, is a culture rooted in punishment, jealousy, cruelty, demands for some kind of Christian self-abnegation (that no one can achieve), faith in (one man’s) white superiority, and fear born of trauma, our original sins of Native genocide and Black enslavement. White is right. Spare the rod and spoil the child. “God’s will” is for me to lord it over you. I am God. Not that there aren’t lovely white people; I’m talking about roots.

See how white supremacy works? Image from the web.

And I am so fucking sick of white culture—the good things whites bring to the table are, perhaps, irony, Greek logic, and wryness (all of which are embodied by The Onion), and of course Mary Oliver and Shakespeare and bagpipes. Right now, for me, that’s about it. Even the best of our white politicians play by the white tyrant’s rules without even realizing it. We all do.

You can follow Digital Meddle Your Childhood Ruined on Instagram.

“Mediocre white boys,” to borrow from the brilliant and righteous Rep. Jasmine Crockett (D-TX), have taught all of us whites—ALL of us—to feel sorry for them. To pity them, poor helpless things. To give them money and power. To give them a pass. Meanwhile, all that the rest of us sentient whites do for our entire lives is play that same old song, “RESIST,” and I am so fucking sick of it. These white men rape, they steal, they stiff, they destroy, and then they smile, and we pity them all over again, don’t we? And carry our clever signs to the latest march.

This is changing. I do see hope. But we have to crack it all open and drain out the rest of the pus. White culture as a whole, ultimately, must change, or else we take the planet down with us. And this Black History Month, we have to see the joy of embracing all the greatness that Blacks bring to the world. Celebrate. Emulate.

Love from her core of rage,

Miss O’

Wise words from t