Like Home There’s No Place

Ruminating on feelings of in between

Transition in Transit

Somewhere in Maryland. Photo by LO’H.

Yesterday, I took Amtrak from Virginia to New York City, after two full months living in my parents’ house. (Bernie and Lynne are coming along, for however long they can.) Even though theirs is the house I grew up in, nearly all the aspects of it that made it home are gone or changed so significantly that it really feels like a different house. The 1960s offered a white house with green shutters, exposed asbestos tile floors on the half-basement level of the split foyer. During my growing up, when harvest gold industrial carpet took over the floors and steps and upstairs living room, so did the 1970s palette expand to bring in orange and avocado green and brown. In truth, my mom did this palette really tastefully and artfully, refinishing now tossed furniture pieces that I really miss, replaced in the late 1980s country makeover—suddenly a windfall of cash with no kids in college and two incomes allowed my mom to indulge her passion for blue and natural wood. The result is that I’ve known the present incarnation of their house only as a self-supported adult, so whatever there was of my home (my bedroom stuff pared down to a single large box back when I went to college), it’s no longer a built environment (objects of deep memory and family history notwithstanding) that I feel particular warmth for.

The curious thing is that my connection to the yard runs as deep as ever. The majority of my accessible childhood memories are tied up in grass, dirt, shrubs, trees; often, too, a swing set, a shed, a playhouse, a fort, though gone, appear as ghosts. I am always barefoot. The maple in the front yard has been my constant greeter for 59 years; the crepe myrtle, too. The oaks of various species in the backyard were there for decades before I was born, and the hickories have grown up with me. The holly trees, shrouded by the taller deciduous trees, have never gotten really large, but they are my age, at least. (I can still feel the prickly fallen leaves lodge in my heels.) It is to the yard that I want to go when I get home, to feel that I’m home.

Backyard. Photo by LO’H.

You Can Be Anyone You Want to Here

My Aunt Mary from Iowa said the above when she was standing on Canal Street, her first visit to New York, in 2004. I would add, “If you can make it here.” My home for the past 20 years has been a co-op apartment in a 90-year-old building in New York City’s borough of Queens. Coming off the train into Penn Station yesterday, wearing an air cast on my left leg (over my black travel slacks, to prevent a rash from the plastic—menopause has a been a blast, you guys) and a gray combat boot over my slacks on my right leg (for not one but two sprained ankles!), carrying a large sling bag, full backpack, and computer tote bag, not a single person gave a flying fuck. And that is the price you pay for all that freedom to be you doing you: supreme indifference to my personal human plight. I’m always agonizingly aware of my own complicity in this survival game as I pass homeless people without giving alms, in my rush, I think, which is really avoidance of culpability. For that reason, I don’t begrudge anyone racing past me up or down the dozen flights of stairs I had to take to find a working subway going in my direction (midtown was pure gridlock so any cab or Uber was pointless, unless I wanted to spend three hours getting back to Queens). All I know is that as I trudged past construction on 7th Avenue and 33rd Street that has literally been in progress for SEVEN FUCKING YEARS, with no end in sight; past orange cones and trash and and scaffolding and pilings and strollers and tourists walking past all the chain store banality that is 7th Avenue four abreast, down steps (foot-foot, foot-foot) where I have to inch past guys blissed out on weed; into the bowels of Times Square only to find out the 7 Train is not running; up the four flights of stairs (foot-foot, foot-foot) to the N Train (because the escalator up starts down by the 7 Train, and those stairs are blocked off and are being policed); and by now in the global warming October heat with the schlepping and the sore ankles and endless walking, shoved or ignored, and feeling by this point a little weepy, I really had to ask myself, seriously, “Why the fuck do I live here?”

And later, in my own bed, unable to sleep from ankle pain and the chill and recalling the stack of mail and all the unpacking and plugging in of laptops and texting people I’m back—I realized I really do hate living here. I have, as of November 1, been living in this apartment for 20 years. Of those two decades, only the first one was good. In 2013, my play lab ended, my work role changed to working essentially for a partner start-up, I had a miserable month of grand jury duty, and I met a man who gave me the deepest love and caused me more grief over the next decade than I want to speak about. And, post Covid, I have accomplished exactly zero as a creative person. As I now work exclusively “from home” (great for flexibility if not sociability), I see almost no one—a dinner here and there once or twice a month. My old building needs too much work. Global warming is creating a flood plain out of the city. And I’m going to be 60.

I turned on the light then, because I had this flash of memory, of going with my college friend Richard as his plus-one to his cousin’s wedding in New Hope, Pennsylvania, back in 1985 or so. The downtown was lit up at night, even in summer, with white fairy lights strung here and there. Everything about the place was joyful and cozy, people out and about, shop windows so inviting. This was like Blacksburg, home of our college, Virginia Tech, without the carousing drunk frat boys. Ever since, I have dreamed of living in a town that felt like that—creative and joyful and pleasant, but with diversity, room for the middle class, and lots of live music and dancing in parks and plazas in the summers. A community theater, concerts, art for people who lived where they worked.

I realize now that those places don’t exist ready made for me to walk into—an enchanted village in a story book that become real, like Brigadoon. Community like that, place like that, has to be built, and not presented as a gift. I have always worked very hard to create a life for myself everywhere I’ve lived. What is different now? I guess, looking at 60 and returning from nursing my parents as best I could, faced with two square feet of junk mail to sort (with unending gratitude to my upstairs neighbor, Debbie, who built that pile of junk mail, watered the plants, and ran the taps AND cleaned up my basement after it (mildly, mercifully) flooded with the remnants of Ian—see Brooklyn for reference)—I guess I’m really wondering about where I belong, what I do next, and how I do it. I feel, weirdly, totally lost.

On my way down the sidewalk near my apartment (all my gear by now giving me its full weight) past the playground, my eye caught a shiny object in the leaves along the chain-link—a New York driver’s license. I picked it up, someone on 41st Street. I’ll try to find him tomorrow, I thought. (This morning I strapped on my “casts” and went out in the rain over to his apartment building, buzzed his number, no answer, so I left it on the ledge above the buzzers—and then I spent the next two hours beating myself up for not thinking of MAILING it back to him.) It’s a small but common event for me in this vast city, helping a stranger in an odd way. Sometimes I wonder, given the last decade of my life, if all I’m really here for is not to be an “artist,” but really to be a clean-up crew of one, one human accident at a time. Maybe that’s who I am, and these notions that I should accomplish more are foolish expressions of ego.

View from the 7 Train Platform, Queens. Photo by LO’H.

After all, unlike too many people, I have not one but two roofs to shelter under, at least for now. Trees to visit. Good neighbors. Friends, however much they are only available via text. It’s a crazy modern world, and there’s no good where to be unless we make it the way we like it. Where my next home will be or how I remake the one I’m in, I can’t know, but in my heart I know the search is on.

Hope you are feeling home in your own heart. I saw this quote on a meme recently, and it hit…home:

Home is not where you were born; home is where all your attempts to escape cease.

~ Naguib Mahfouz

Love to all.

Miss O’

Surfacing

Seen in Queens. Photo by LO’H

Of the Surface of Things

by Wallace Stevens (1879 –1955)

I

In my room, the world is beyond my understanding;
But when I walk I see that it consists of three or four
hills and a cloud.

Surface Chair

Years ago, my friend Tom and his partner were moving and downsizing, and he sold me a delicious olive green wing chair (which I foolishly gave away when I later moved to New York and I miss it still). On first seeing the chair, which was solid and plain, in my house, my friend Chuck remarked, “Now it just needs a couple of bright pillows!” When walking the shops of Fredericksburg, Virginia, I found two expensive hand-painted pillows, with an accent of that very olive green, that did just the trick. I thought of all this just now as I pulled down my bed covers and shifted one of those very pillows to the side so as not to crush it in my sleep.

So much of life and living is surface, a chair you buy and lose, the bright pillows you spend so much money on to decorate the chair, the casual remark that caused you to elevate your home decorating aesthetic beyond solid colors into bright patterns of possibility. All surface thoughts, yes, but more than the surface shifts. Doesn’t it?

II 

From my balcony, I survey the yellow air,
Reading where I have written,
The spring is like a belle undressing.”

Surface Friend

Thursday afternoon, I texted my dear friend Cindy who lives on Maui to ask what was happening and if she and her family were safe, and they were, as the fires were not on her part of the island, but oh how she was grieving the loss of Lahaina. She then texted, “Did you know that Tammy [a fellow student and actor from Virginia Tech days in the 1980s] passed?” I did those things we do now: looked up Tammy’s obituary online; wrote a tribute memory; posted of her death in a social media alumni group. I really had only a surface relationship with Tammy, acting with her in a Summer Arts Festival production of Andre Gregory’s adaptation of Alice in Wonderland the few months before I started my teaching career. We took to walking home together on the nights after rehearsals and performances, as neither of us had cars, and her place was my halfway point. She’d kiss my cheek, wish me “safe home,” a phrase I didn’t know. She graduated the year I was a freshman, and by the summer I got to know her had waitressed and auditioned in New York City for three years and lived with a Russian boyfriend named Roman who wouldn’t go down on her because he didn’t understand what “the magic button” was, which was not where women bleed and pee, and her favorite city memory was Roman pushing her around the East Village in an abandoned shopping cart in the cold wee hours after the bar where they worked closed for the night, her legs sticking up out of the cart while he spun her around on the deserted streets and she screamed and laughed. That’s what I know about Tammy. And can’t forget.

Surface memories as lasting as love.

At the Planetarium, American Museum of Natural History. Photo by LO’H

III 

The gold tree is blue,
The singer has pulled his cloak over his head.
The moon is in the folds of the cloak.

Surface Life

Sometimes I think I have only ever known surfaces, surface friendships, surface news, surface travels, surface nature, surface career, surface artistry, surface feelings, surface disaster, surface stories. So of course I dread. I obsess over decorating a home, oddly, that almost no one sees, an art project for an audience of one, knowing it and I could be lost at any time, and it’s so much fog, really. I see spots I missed when I dusted today. And what should I have to show for all this care and attention? Is there anything inside me deeply affected by bright pillows on a muted chair? Is there anything that can emerge out of me that will deeply affect the world? And what of all this death?

Three or four memories and a cloud. Is there much more we can expect?

Sending love out to everyone who needs it, even from my surface, to help you absorb whatever was your loss in life this week.

Morning from the 82nd Street Subway Station. A couple of cars and a sun Photo by LO’H

Desert[ed] Solitaire

Miss O’ in New Jersey ca. 2012; photo by George Lightcap

Yesterday evening I emailed short notes to two of my dearest friends to 1) apologize for not writing much, as one does; and 2) to ask after their life events. (Not to keep you in the dark: one set of spouses, in their eighties, has had loads of health issues this year; the other set of spouses, hovering around age seventy, just sold their longtime California home and closed this week on another, even drier, California home, one that is smaller, one-story, much less land to tend, and in walking distance to simple amenities, like a grocery store.)

I expressed to both halves of these respective spousal sets that I have felt, for want of a better word, deserted. Is that the word I want? I feel deserted as at a railway station, as if I’m supposed to be headed somewhere and there are no trains, or as if someone has forgotten to pick me up after a long journey; deserted by things as disparate as companionship, comradeship, an artistic muse, a sense of mission, original ideas, and the national shared practice of democracy. That’s quite a list. 

When I wrote this to my friend Anna, she suggested I write a short blog post on the subject of desertion, and that felt exactly right. 

­­­­­­­­­Other Desert[ed] Places

First of all, I feel deserted by the practice of writing letters. Just so, long and deep conversations have deserted me. Other than Tom and Anna (my friends noted above), everyone else I’ve been in regular contact with for years tends to speak in memes and emojis, maybe links to articles at most. I respond in kind, mirroring what I receive. I know that many people are pressed for time in general and have dozens of people with whom they are in communication, whether friends or family or work colleagues. I never want to assume I should be somehow special. (Many of us have felt deserted by even our closest friends once they married, had kids, and made new parent friends.)

“Didn’t you see my post?” Deep connection has been supplanted by observational strings, er, threads, on Facebook. Several friends noted that it’s just easier to share their lives all at once rather than in individual letters to, say, me. In my own posting life, general observations shifted from “life in New York” to “politics all the time” when 1) Humans of New York started up, doing what I did far better and more deeply than I was, and with pictures; and 2) I saw the coming of a deep fascism with the election of the black president. (Big Tell for me: At President Obama’s first State of the Union Address, Justice Samuel Alito, who was in view of the camera, on several points about threats to our democracy, shook his head and said, “That’s not true.” I’d never seen a partisan justice at such a speech. Related: then-Speaker John Boehner (R-OH) wouldn’t look at the president, saying in an interview, “I can’t even look at him.”) All that open racism shocked me. Racism was, truly, the only explanation. I had to go on the offensive, deepen my understanding of racism, post like hell. Right?

In 2012, I voted for Obama’s re-election, Mitch McConnell (R-KY) became Senate Majority Leader, and a month later I released by e-book compilation of social media observations, Easier to Live Here: Miss O’ in New York City.

Now what? The nation was growing in chaos, and my sense of joy at living in New York began deserting me. This was 2013. My playwright’s lab disbanded; my first professional work project as a staff member at my work went to press and I felt sort of “done” with that job after seven years but couldn’t afford to leave; I was assigned to Grand Jury Duty at Kew Gardens in Queens for the entire month of September (with the disheartening revelation that Miss O’ may well have been the smartest person in the room, and that shouldn’t ever be the case), and that same month I began a deep but doomed love affair that would consume my heart for the next nine years, until learning, belatedly after a final breakup, of his death. (One of many blessings of this dear but complicated man was that he was not on social media.)

Desert[ed] Depths

The joy of knowing others doesn’t really come about in 140-character or 280-character posts, memes, emojis, GIFs. All these little sparkly things are fine, I guess, once you have a long-standing relationship of some kind—all good friendships develop their own shorthand, and in that context these digital digeridoos seem to me to be the equivalent of my friend Cindy’s old habit of looking at me, dropping an eyelid, and miming a cigarette to the lips when someone was about to pontificate or otherwise be an asshole. Without a word spoken, I would double over with laughter. I often act out the same gesture as a touchstone. A good meme can do that, too, and it’s funnier when you know the sender from your heart; but if I’m honest, it’s empty when that’s all there is. 

Second of all, I feel deserted by stillness. This morning, for example, I woke before dawn to find the all-night party music from somewhere was still on in full force. The school playground next door now has LED stadium lights that are blinding our complex in the name of “security.” I can’t seem to find calm. (Tell it to Ukraine. See what I mean?)

just a mass of contractions

I miss a mind quiet enough to read longform New Yorker articles in one sitting. I miss a body quiet enough to sit still and play a new album all the way through, listening to every song. Then playing it again, this time reading lyrics and liner notes and credits. Then playing it through a third time. Vinyl was even better because you could play the A-side three times, and then the B-side three times, and then listen to the whole thing once through. My friend Lynda Crawford, a playwright, wrote on Facebook that she missed listening to records the way we used to—one friend would buy the record, and everyone would come over and sit on the floor and we’d play it, and talk about it. I remember doing that with a 45 RPM of Helen Reddy’s hit “Think I’ll Write a Song” on the A-side, and then playing “Angie Baby” on the B-side, and my mom, Lynne, coming upstairs and saying to me and my friend Peggy, “Who is that? Is that still Helen Reddy? Now that is a good song.” She was right. But we all had to hear the song three times.

Now, I hear you saying, “But Miss O’, you can still do those things.” (Still. Hmmmm.) Yes, I can, in theory. But I have Twitter to scroll. I might miss something. I have Facebook to check. What if a “friend” liked my post? What if no one liked it? (Should I edit it?) What if someone died and I didn’t realize it? What if what if what if what if what if what fucking IF. FOMO. (I’ve had to look that acronym up I think each time I’ve seen it in New York Magazine, which feels less and less relevant each issue. The best one in the past few years was an issue dedicated to Jerry Saltz and his quest to be a great artist. More of THAT.) Where was I?

The truth in all this is that I am deeply sick of feeling deserted by…something…somehting I cannot seem to touch with my soul, my heart.  

Desert[ed] Hearts

Friends have lost family in the past two years. Last year, a poet friend lost his beloved wife to a stroke; two weeks ago a dear neighbor lost his brother suddenly to a heart attack; this week, another friend lost his beloved wife to lung cancer. Part of this is, we are all aging, my friends and neighbors and I. But the loss isn’t less. The feeling of desertion stings.

President Biden, who lost a son to brain cancer seven years ago, gave a speech Thursday night—possibly one of those historically great ones—defending democracy against fascism, and the three major networks and PBS deserted him and the American people by refusing to air it. (The next day, as if to reinforce this sense of desertion, newspapers seemed to support the wounded fascist MAGAs over the 70% of Americans who want to preserve the democratic union.)

And when all this happens, all this sudden and deep emotion, I seem to shut down. I don’t know how to help anyone, to help the country. I feel deserted by my mind.

In her deep empathy, Anna said in response to my feelings of desertion and perpetual waiting, “Seems like a lot of us are waiting for an unknown something. I wonder if we should just act as if what we’re waiting for is going to arrive or has arrived.” 

That’s what President Biden has chosen to do—to act as if the People want democracy, are willing to vote to preserve it—and meanwhile, he is just legislating like hell, bringing down inflation, addressing global warming, championing women, the whole bit, like tomorrow is not only coming but is already here.

So, to paraphrase Helen Reddy, I thought I’d write this blog, one in which I act as if what I was waiting for was the impetus to write a blog. After all, the worst thing we can do is nothing.

Take a memo. 

A handy meme from johnpavlovitz.com

Easier to Live Here

A Note to Readers of the Miss O’ Show (Teacher’s Edition) Site

Back in 2012, my friend Rebecca Cummins invited me up to Montgomery, Vermont, to read at her Celebration of Expressive Arts. “Read what?” I asked. Dispatches from New York City, posted on a certain social media site. Um, well, sure, if you really think people might enjoy it.

The dispatches (in the form of status updates) were downloaded–all 50 pages of them–printed out, triple-hole punched, placed in a binder, and then selected and rehearsed, enough for 2 sets of 15 minutes, during the 9-hour train trip to Burlington. Coincidentally, my colleague Magda Misiuna was looking for an opportunity to create an eBook, having just taken classes to learn the process. Her first one had gone well, and she wanted to turn it into a side business. “Do you have anything we could turn into a book?” she asked. Well, I guess I did.

While discussing this at the neighborhood watering hole with my artist friends Jodi Chamberlain and her partner Lisa DiPetto, Lisa said, “You know, I keep a sketchbook of a lot of your posts.” And so it was that the idea of illustrating the book was born. I selected and arranged posts by season, around 50 pages’  worth; paid Magda and Lisa for their work; and the book , Easier to Live Here: Miss O’ in New York City, debuted on Amazon and on Barnes and Noble for $2.99 on December 12, 2012, where it surpassed Tina Fey’s Bossy Pants as a best seller for about one hour. Foolishly, I failed to make a screen shot.

Since then, of course, a certain marvel named Brandon Stanton started a website and Facebook page, Humans of New York, which has generated three books, global fame, and done a real service to the world via photographs and then stories, too.

Ah, well.

Still, I think there is something to my tiny observations in words.

The New York adventure continues–with the dispatches to be posted right here on WordPress. Since its initial publication, however modest, Easier to Live Here has racked up very little return on my investment, financially speaking, but on the sweet side, I’ve very happily amassed 20 encouraging reviews from readers, who are all friends. And still I do wonder if it might have a wider reading public, untapped.

For the uninitiated: You can find the original book on Amazon and Barnes and Noble. If Miss O’ could sell, say, 50,000 copies, she could take off a year and not only revise and expand the book and pay Lisa for more awesome art, but she could ALSO finish and mount her one-woman show. (Sure, it sounds mercenary, I’d so much rather sell something I made than start a crowd-source fund. Shall we dance?)

More stories to come.

With thanks, and love,

Miss O’

http://www.amazon.com/Easier-Live-Here-Miss-York-ebook/dp/B00AJLW7Z6